Julia Cho’s “Office Hour”
Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...
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Zuni Icosahedron Proves Hong Kong Can Be A Fertile Ground For Experimentation
Among Hong Kong’s artists, designers, playwrights and stage directors are polymaths who somehow...
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Sometimes I Feel Like I Feel Too Much
Traces of a Water Spirit #2 I think of myself as a highly sensitive person. One day my therapist...
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Life Of Alija Izetbegovic On Istanbul Stage
The life of legendary Bosnia-Herzegovina leader Alija Izetbegovic, known for his peaceful...
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Kalayan, One Of Bangalore’s Oldest Hindi Theatre Groups, Is Ready With Their Annual Offering
For a theatre group to survive 29 years in today’s times is a big deal. Kalayan theatre...
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Inside Pussy Riot: “Political Art Can Change The World”
Taking place 100 years after the Russian Revolution, Art Riot: Post-Soviet Actionism opened at...
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David Eldridge’s “Beginning” at The National Theatre
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
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Interpreting “The Mahabharata” With Puppets
Anurupa Roy’s contemporary retelling of the epic uses a melange of cultural influences to focus on...
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Poland on Stage: What, When and Where
The Zygmunt Hübner Powszechny Theatre Mefisto Based on the novel by Klaus Mann and the movie by...
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Lupita Nyong’o’s Father Set To Honor Her With A Theatre And Art Center In Kenya
Anyang Nyong’o is one proud dad who has big plans for his successful daughter: the Oscar...
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How Hitchcock’s “Marnie” Inspired An Opera
An attractive, able woman preyed upon in the office by two bosses, one of whom uses his power to...
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Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
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American Lyric Theater: 10 Years of Nurturing the Future of Opera
Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
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Natalya Vorozhbit’s “Bad Roads” At The Royal Court: Russian And Ukrainian Drama In The UK
This November, the Royal Court Theatre in London stages the global premiere of Ukrainian...
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“The Suppliant Women” at The Young Vic
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
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Homo Digitalis Meets Zigmagora
What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...
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Pablo Remón’s “Barbados Etcétera” – Minimalist Theatre of Words and Presence
The Ambigú is a tiny space in the Pavón Kamikaze theatre in Madrid; a large hallway bar that often...
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“The Suppliant Women” – A New Version for Modern Times
Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...
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Diversity – YES, But How?
When can performing arts be considered culturally diverse and inclusive? Where will new...
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Ramlila at Prithvi Theatre: Rambunctious and Unforgettable
Far from the creaky floorboards and blazing arc lamps of the makeshift prosceniums of Faridabad,...
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