Latest Archives - Page 204 of 278

Blood on the Stage: “Let the Right One In” is a Vampire Love Story For Our Times

Posted by Vivienne Glance | 4th Dec 2017 | Adaptation, Australia, Review

The popularity of vampires has endured since Johann Wolfgang von Goethe’s Bride of Corinth (1797)...

Isabelle Huppert And Jeremy Irons Will Be Awarded Europe Theatre Prize In Rome

Posted by Scena.ro | 4th Dec 2017 | Acting, Italy, News

From the 12th to the 17th of December, Rome will host the XVI edition of Theatre Prize and the XIV...

“Voices From Chernobyl”–Ténéré Arte’s Brilliant, Ghostly Retelling Of The World’s Worst Nuclear Disaster

Posted by Julia Secklehner | 3rd Dec 2017 | Adaptation, Belarus, Review

Svetlana Alexievich’s Voices From Chernobyl collected the testimonies of survivors from the...

Tracing With Body And Music In Jeff Ho’s “Trace”

Posted by Shelley Liebembuk | 3rd Dec 2017 | Canada, Playwriting, Review, Theatre and Gender

In his debut as playwright, Jeff Ho presents a solo piece that explores his family history through...

“The Taste Of Displacement” – Diasporic Performance from Iraq

Posted by Dena Al-Adeeb | 3rd Dec 2017 | Iraq, Participatory Theatre, Review, Theatre and Film

The Taste of Displacement (2014) is a video project and an experimental performance piece that...

An Interview With Noah Birksted-Breen: Falling In Love With New Russian Plays

Posted by Jessica Hinds-Bond | 2nd Dec 2017 | Interview, Producing, Russia, Russian Theatre Abroad, Translation

Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...

“Mrs. Pistols” A Requiem For A Dream

Posted by Baharak Sahami | 2nd Dec 2017 | Directing, Iran, Review

Mrs. Pistols is an outstanding example of an Iranian play that meets the intellectual and...

The Epic Of American Capitalism: Luca Ronconi’s “Lehman Trilogy”

Posted by Davide Cioffrese | 1st Dec 2017 | Italy, Review, Theatre and Politics

Sam Mendes–Oscar-winning Sam Mendes (American Beauty [1999])–has confirmed it: in 2018, he will be...

“Muriel’s Wedding: The Musical” Is A Deeply Satisfying Tribute To Australia’s Most-Loved Dag

Posted by Leigh Boucher | 30th Nov 2017 | Australia, Musical Theatre, Review

Muriel Heslop occupies a precious position in Australian cultural life. She is, perhaps, our...

The Serendipitous Path of a U.S.-Russia Theatre Ambassador: An Interview with John Freedman

Posted by Yan Chen | 30th Nov 2017 | Interview, Russia, Russian Theatre - Featured, Transcultural Collaborations

John Freedman was Theatre Critic at The Moscow Times from 1992 to 2015 and is currently Assistant...

Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter

Posted by Nobuko Tanaka | 29th Nov 2017 | Acting, Directing, Japan, Review

As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...

Natal’ya Vorozhbit’s “Bad Roads” at The Royal Court Theatre

Posted by Aleks Sierz | 29th Nov 2017 | London, Review, Theatre and Politics, Ukraine, United Kingdom

War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...

Newborn: Talk with Wojtek Markowski

Posted by Agnieszka Slodownik. | 29th Nov 2017 | Interview, Poland, Transmedia

With the team of Polski Theater in the underground we streamed 360-degree video from the container...

Julia Cho’s “Office Hour”

Posted by Jonathan Kalb | 28th Nov 2017 | New York, Review, Theatre and Politics, United States of America

Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...

Zuni Icosahedron Proves Hong Kong Can Be A Fertile Ground For Experimentation

Posted by Zolima Citymag | 28th Nov 2017 | China, Hong Kong, Review, Theatre and Art, Theatre and Film

Among Hong Kong’s artists, designers, playwrights and stage directors are polymaths who somehow...

Sometimes I Feel Like I Feel Too Much

Posted by Laila Richter | 28th Nov 2017 | Germany, News, Theatre and Disability

Traces of a Water Spirit #2 I think of myself as a highly sensitive person. One day my therapist...

Life Of Alija Izetbegovic On Istanbul Stage

Posted by Anadolu Agency | 27th Nov 2017 | Bosnia, News, Theatre and Politics, Turkey

The life of legendary Bosnia-Herzegovina leader Alija Izetbegovic, known for his peaceful...

Kalayan, One Of Bangalore’s Oldest Hindi Theatre Groups, Is Ready With Their Annual Offering

Posted by Shailaja Tripathi | 27th Nov 2017 | India, News

For a theatre group to survive 29 years in today’s times is a big deal. Kalayan theatre...

Inside Pussy Riot: “Political Art Can Change The World”

Posted by Emily Jupp | 27th Nov 2017 | News, Theatre and Art, Theatre and Politics

Taking place 100 years after the Russian Revolution, Art Riot: Post-Soviet Actionism opened at...

David Eldridge’s “Beginning” at The National Theatre

Posted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom

One defining characteristic of Englishness is social awkwardness, and its emotional register is an...

Latest

Blood on the Stage: “Let the Right One In” is a Vampire Love Story For Our Times

Isabelle Huppert And Jeremy Irons Will Be Awarded Europe Theatre Prize In Rome

“Voices From Chernobyl”–Ténéré Arte’s Brilliant, Ghostly Retelling Of The World’s Worst Nuclear Disaster

Tracing With Body And Music In Jeff Ho’s “Trace”

“The Taste Of Displacement” – Diasporic Performance from Iraq

An Interview With Noah Birksted-Breen: Falling In Love With New Russian Plays

“Mrs. Pistols” A Requiem For A Dream

The Epic Of American Capitalism: Luca Ronconi’s “Lehman Trilogy”

“Muriel’s Wedding: The Musical” Is A Deeply Satisfying Tribute To Australia’s Most-Loved Dag

The Serendipitous Path of a U.S.-Russia Theatre Ambassador: An Interview with John Freedman

Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter

Natal’ya Vorozhbit’s “Bad Roads” at The Royal Court Theatre

Newborn: Talk with Wojtek Markowski

Julia Cho’s “Office Hour”

Zuni Icosahedron Proves Hong Kong Can Be A Fertile Ground For Experimentation

Sometimes I Feel Like I Feel Too Much

Life Of Alija Izetbegovic On Istanbul Stage

Kalayan, One Of Bangalore’s Oldest Hindi Theatre Groups, Is Ready With Their Annual Offering

Inside Pussy Riot: “Political Art Can Change The World”

David Eldridge’s “Beginning” at The National Theatre

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