The Body Labours Sonorously In Foxconn “Frequency (no. 3)” at The PuSh Festival
Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no. 3): For Three Visibly Chinese...
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“Mayfly” at The Orange Tree Theatre
The Orange Tree Theatre is a champion of new writing. Under artistic director Paul Miller, the...
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Fight Of The Rebel Queen
Theatre Nisha’s Gallantly Fought the Queen took us on a voyage into the life and times of the Rani...
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Battle Cries For Liberation
At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...
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Psychological Spaces, #Metoo, And “The Crucible:” A Conversation With Set Designer Andrew R. Cohen
The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...
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“SeagullMachine” – The Assembly Mixes Chekhov and Müller
The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.
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“Ameryka”- Critical Mass And Block Party 2018
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
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Don’t Shoot The Messenger: Elfriede Jelinek’s “Rechnitz” In New York
On March 24, 1945, there was a party in Rechnitz, an Austrian town on the Hungarian border. The...
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Edward Albee’s “Three Tall Women”: A Dissent
My reaction to Edward Albee’s Three Tall Women when it first arrived in New York in 1994 was...
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Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
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“Snake Oil”: A Thought Provoking Show
Snake oil began as a traditional Chinese medicine, particularly effective in easing joint pain....
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Jacob Storms’ “Tennessee Rising”: Remembering Tennessee Williams
Tennessee Rising is a theatre piece that requires yet easily commands your full attention. The...
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“Instructions For Correct Assembly” at The Royal Court: New British Sci-Fi Theatre
There’s a whole universe which British theatre has yet to explore properly—it’s called the sci-fi...
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“Possession:” Music And Movement Dominate Performance On Hermits, Deserts And Demons
Possession was performed twice during D-Caf festival, and is directed by Tom Bailey. English...
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Bread of Life: Bread and Puppet Theater’s “The Basic Bye Bye Show”
As The Basic Byebye Show comes to an end, a pair of enormous papier mâché angel’s wings protruding...
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Arrows And Traps: A Charming Rendition Of Chekhov’s “Three Sisters”
“To Moscow, to Moscow…” The renowned lament in Anton Chekhov’s Three Sisters still...
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Ballets Russes: Who Made The Russian Ballet World-Famous?
Celebrating 2018 as the Year of Ballet in Russia, it’s worth paying homage to the outstanding...
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Macedonian Message For International Dance Day – By Ballet Dancer Marko Micov
The dance is an eternal expression of the human necessity and a wish to communicate, to express...
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The Wooster Group’s “A Pink Chair” – Can You Ever Return?
The Wooster Group’s newest production, A Pink Chair (In Place of a Fake Antique), was...
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A Genre-Bending Pasifika Collaboration -“The Naked Samoans Do Magic”
The Naked Samoans Do Magic Commissioned by the Auckland Arts Festival and co-produced with The...
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