“Orpheus” at The Battersea Arts Centre
Superlative. It might seem odd that it is this show, a retelling of a Greek myth, and not a piece...
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Review
“The Hindu” Notes On 2018 Indian Musicals
If broadsheets and banners are to be taken into account, this has been another fertile year for...
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A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
Zapiski Z Wygnania [Notes from Exile] directed by Magda Umer. Presented at Narodowy Stary...
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A Review of “We Are Leaving” from the 2018 Boska Komedia Festival: An Epic in the Mundane
Wyjeżdżamy [We are Leaving], directed by Krzysztof Warlikowski. Presented at Teatr Łaźnia...
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A Review of “Under the Influence” from the 2018 Boska Komedia Festival: Splitting the Mind and Splitting the Stage
Pod presją [Under the Influence], directed by Maja Kleczewska. Presented at Teatr Ludowy, ICE...
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A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre
Hańba [Disgrace] directed by Marcin Wierzchowski. Presented at Teatr Ludowy—Scena Stolarnia for...
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A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”
Konformista 2029 [Conformist 2029], directed by Bartosz Szydłowski. Presented at Teatr Łaźnia...
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“Hole” at The Royal Court
Dates: November 28-January 12 Writer: Ellie Kendrick Directors: Helen Goalen and Abbi...
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“One Jewish Boy” at The Old Red Lion Theatre
There’s a nasty smell in the air. Something rotten. Horrible. I can’t quite put my finger on it....
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Acting Out: Theatre Class Where Students Rehearse For Change
The auditorium buzzes with anticipation. It is opening night for a group of students from the...
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Ellie Kendrick’s “Hole” at The Royal Court
Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...
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The Magic Mountain: Cough Medicine
Emiliia Dementsova reports from Moscow with a review of Konstantin Bogomolov’s The Magic...
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For Whom Technology Tolls
For those of us that are perennially nostalgia bound—even for the sepia-tinted memories of the...
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Foibles Of Upper-Class Philanderers
The irreverent stage persona of Naseeruddin Shah, cocking a snook at societal mores and...
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“The Factory”: Play Explores Murky Nexus Of Western Business And Syrian War
The play is based on the charges against one of France’s biggest companies, Lafarge, and how...
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“Barber Shop Chronicles”: Man Talk In A Man’s World
Inua Ellams’ Barber Shop Chronicles, his first full-length play, was a smash-hit when it opened in...
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Review: “Other People’s Children” Cracks Open Postpartum Intimacy And Labor
Montreal, Québec Sarah J Culkin reviews Imago Theatre’s production of Other People’s Children by...
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Terrific Power: “St. Kilda” at the So-Fi Festival in NYC
Jody Christopherson’s one-woman show St. Kilda, at the So-Fi Festival, gave me one of the...
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“Magic Mike Live,” London Hippodrome, Review: “A Frenzy Of Hallucinogenic Mansplaining, Fatman Scoop, And Abs”
As the speakers blasted out Ed Sheeran’s Thinking Out Loud and topless men crept out of the...
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Art In Astrophysics: Science in Indian Theatre
For some years now, Mumbai-based theatre practitioner Jyoti Dogra has been regaling audiences in...
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