“One Infinity” Explores Tension and Connection Between China and the West
In an age of growing mistrust, the Chinese-Australian artistic collaboration One...
Read MorePosted by Kiu-wai Chu | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Dance
In an age of growing mistrust, the Chinese-Australian artistic collaboration One...
Read MorePosted by Zainabu Jallo | 8th Feb 2019 | Review, Switzerland, Theatre and AI, Theatre and Science, Transmedia
A futuristic freezing laboratory where naked human avatars hang for research purposes. Doctor...
Read MorePosted by Matthew McMahan | 8th Feb 2019 | Boston, Review, United States of America
After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...
Read MorePosted by Abigail Weil | 7th Feb 2019 | Festivals, New York, Review, Theatre and Film, Theatre and Gender, United States of America
In an intimate performance space in New York’s East Village, a quietly consequential experiment is...
Read MorePosted by Aleks Sierz | 6th Feb 2019 | London, Review, Theatre and Politics, United Kingdom
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
Read MorePosted by Christine Deitner | 6th Feb 2019 | Los Angeles, Review, Theatre and Politics, United States of America
On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique...
Read MorePosted by Teo Xiao Ting | 5th Feb 2019 | Documentary Theatre, Immersive Theatre, Review, Singapore
Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...
Read MorePosted by Patrick Langston | 5th Feb 2019 | Canada, Review, Theatre and Science
What do you do when you’re rehearsing a show that has no set, no props, no costume changes, and no...
Read MorePosted by Matthew McMahan | 4th Feb 2019 | Boston, Review, Theatre and Gender, United States of America
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
Read MorePosted by Michael Appler | 4th Feb 2019 | LGBTQ+ Theatre, New York, Review, United States of America
“Choir Boy” is itself a spiritual whose song, sung triumphantly by the bountiful talent of its leading star, Jeremy Pope, rises from its stage with the same faith and fearlessness of a prayer sung only for the stars.
Read MorePosted by Jane Baldwin | 3rd Feb 2019 | Boston, Review, United States of America
Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...
Read MorePosted by Rasoul Nazarzādeh | 3rd Feb 2019 | Iran, Review, Theatre and Gender
The privatization of theatre in Iran has compelled many theatre directors and producers to become...
Read MorePosted by Michael Appler | 2nd Feb 2019 | Musical Theatre, New York, Review, United States of America
Cher, the Academy, Grammy and Emmy Award winning superstar, could never be contained in a Broadway...
Read MorePosted by Somayeh Khani | 1st Feb 2019 | Iran, Review
Written, directed, and played by Mehrān Ranjbar, Steve Jobs was staged from October 18 to December...
Read MorePosted by Jack Wernick | 31st Jan 2019 | Review, Theatre and Politics, United States of America
The historic Abrons Arts Center on New York’s Lower East Side is the setting of a dynamic...
Read MorePosted by Aleks Sierz | 30th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
The most hyped play of the year is here. Because of the huge demand for seats, and the relative...
Read MorePosted by Justine Shih Pearson | 30th Jan 2019 | Australia, Festivals, Review, Sydney
What kind of world are we leaving for our children? So goes our conversation everywhere these...
Read MorePosted by Akarsh Khurana | 30th Jan 2019 | India, Review
I begin 2019 with the same paragraph I ended 2017 with. Over the last few years, it has become...
Read MorePosted by Christine Deitner | 30th Jan 2019 | Los Angeles, Review, Theatre and Art, United States of America
Situated on their two-year-old permanent home on Broadway in Glendale, CA, Antaeus Theatre Company...
Read MorePosted by Wendy Arons | 29th Jan 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Playwright/poet/performer Brian Quijada has hope for the future. That’s not an easy orientation to...
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