“There Will Be No Intermission”: Amanda Palmer Speaks Truth in Major Keys
Amanda Palmer has not come to entertain. Instead, she has written and designed what feels like an...
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Review
Shelagh Delaney’s “A Taste of Honey” at the Trafalgar Studios
It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This...
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“Inchoate Buzz:” A Testing Ground for Interaction and Interdisciplinarity
How far can bodily interaction amongst the audience members, with performance objects, and with...
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Who? Whoo! “Other Than We:”Karen Malpede’s Latest Eco-Feminist Play at La MaMa
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
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Review: The play “My Father – His Exalted Highness”
The play My Father – His Exalted Highness was a nuanced depiction of the concerns of a ruler...
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“Trace”: The Impact of Identity and Family Through Time.
“We are women who do what must be done” so says the cigarette-puffing, mahjong-addicted...
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“Almighty Voice and His Wife:” Love, Settler Colonialism, and Looking Back at the Audience
Almighty Voice and his Wife, a play written by Daniel David Moses in 1991, was recently staged in...
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Dance on Screen. Three Moments from the 58th International Art Exhibition-La Biennale di Venezia
Artists from three different and fairly distant parts of the world — Australia, Brazil and...
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Midnight Radio: “Yinzer Scrooged: A Pittsburgh Christmas Carol” at Bricolage Production Company, Pittsburgh PA, USA
Reader, if – like me – you’re a relatively recent transplant to Pittsburgh, the presence of the...
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Diamonds In the Rough
An emerging sidelight at the annual Prithvi Theatre Festival is its selection of fringe offerings...
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Cosmos, Without Us
I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...
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John Webster’s “The Duchess of Malfi” at the Almeida Theatre
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
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Isabelita Perón in the Spotlight: “Happyland” at Buenos Aires’ Teatro San Martin
Alfredo Arias has been based in France for many decades now, but he is an increasingly frequent...
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National Theatre: Inua Ellam’s “Three Sisters” Surges with Narrative Energy, Depicting Sisterhood and Colonial Injustice in the Short-Lived Republic of Biafra
In recent years there has been a resurgence of progressive adaptations of Chekhov’s realist...
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Trying to Transition with Asperger’s: Diego Casado Rubio’s “Millones de segundos/Millions of Seconds”
A performance for teenage schoolchildren of Diego Casado Rubio’s Millones de Segundos (English...
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“History of Violence” and How Your iPhone is a Culprit
First of all, don’t be put off by the pompous, academic title. Thomas Ostermeier’s...
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Martin Crimp’s “Cyrano de Bergerac” at the Playhouse Theatre
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
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“Rhinoceros”: TheatreDuo Examines the Absurdity of the Human Condition
Rhinoceros, the official production commemorating the Market Theatre Lab’s 30th-anniversary...
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Ritualizing Identities: “SUGA” by Travis Coe at Double Edge Theatre Company in Ashfield, Massachusetts
At the center of the large wooden barn is a makeshift altar, wrapped in gauze and adorned in...
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Festival Místicas: How to Perform Ancient Religious Texts in the 21st Century
It is autumn in Madrid, Spain. A small group of theatergoers has arrived at Zapadores, a new art...
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