“Sessions,” Soho Theatre
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 6th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 3rd Dec 2021 | Review, Theatre and Politics, United Kingdom
Why are we indifferent to anti-Semitism? In the past few weeks the Royal Court, a proud citadel of...
Read MorePosted by Dawna Fung | 2nd Dec 2021 | Adaptation, China, Hong Kong, Review
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
Read MorePosted by Fareeda Pyracha Ahmed | 1st Dec 2021 | Review, Theatre and Science, United States of America
For anyone wondering if live theater offers nothing but escapism from our mini-plague—or worse—on...
Read MorePosted by Emiliia Dementsova | 29th Nov 2021 | Adaptation, Review, Russia
Cruel Games at the Mossovet Theater is not just the name of a forgotten play by Alexei Arbuzov,...
Read MorePosted by Julia Sirmons | 27th Nov 2021 | New York, Review, Theatre and Politics, United States of America
“I have an aversion to ‘immersive theater,’” Tiago Rodrigues says at the beginning of By Heart. He...
Read MorePosted by Beverley Brommert | 23rd Nov 2021 | Covid-19, Immersive Theatre, Review, South Africa
THE BLUE PIANO/THE BLUE GUITAR. Director: Fred Abrahamse. Cast: Matthew Baldwin, Zoë McLaughlin...
Read MorePosted by Borisav Matić | 21st Nov 2021 | Adaptation, Kosovo, Review, Serbia, Transcultural Collaborations
Balkan Bordello: An Orgiastic Musical in the Aftermath of War Imagine yourself at a hedonistic...
Read MorePosted by Alexander Nderitu | 19th Nov 2021 | Adaptation, Denmark, Kenya, Review, Theatre and Decolonization, Transcultural Collaborations
Miss Julie’s Happy Valley is the most recent work by playwright Michael Omoke. The new play...
Read MorePosted by Marisa C. Hayes | 18th Nov 2021 | France, Review, Theatre and Opera, Transcultural Collaborations
It’s been nearly 100 years since George Enesco’s Œdipe (Oedipus) was created to much success on...
Read MorePosted by Andrew Agress | 17th Nov 2021 | Musical Theatre, New York, Review, United States of America
People say that trains often make interesting settings for drama since you have people from...
Read MorePosted by Aleks Sierz | 16th Nov 2021 | London, Review, Theatre and Gender, United Kingdom
Hypocrisy. Is this the right word? I don’t mean the play, but the audience. Of course, in the...
Read MorePosted by Maria Pia Pagani | 13th Nov 2021 | Acting, Italy, Review
The actor Tonino Taiuti paid homage to Beckett in the Foyer of the Mercadante Theatre in Naples with Krapp’s Last Tape and an art exhibition.
Read MorePosted by Karen Rutter | 11th Nov 2021 | Covid-19, Review, South Africa, Theatre and Politics
I’ve totally enjoyed the many faces of Pieter-Dirk Uys over the years – from his most famous...
Read MorePosted by Sally Breen | 10th Nov 2021 | Australia, Playwriting, Review
Review: Return to the Dirt, written by Steve Pirie and directed by Lee Lewis, Queensland Theatre I...
Read MorePosted by Tonderai Chiyindiko | 9th Nov 2021 | Adaptation, Review, South Africa
Directed by South African theatre and film industry stalwart Dr. Jerry Mofokeng wa Makhetha, A...
Read MorePosted by Emiliia Dementsova | 7th Nov 2021 | Adaptation, Covid-19, Review, Russia
It’s trite to write about how hard it is to live from lockdown to lockdown; from one mask...
Read MorePosted by Niloofar Mohtadi | 3rd Nov 2021 | Iran, Review, Transmedia, United Kingdom
The play Rich Kids: A History of Shopping Malls in Tehran, authentically narrates the story of a...
Read MorePosted by Aleks Sierz | 2nd Nov 2021 | Adaptation, Review, United Kingdom
Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening...
Read MorePosted by Maria Pia Pagani | 29th Oct 2021 | Adaptation, Italy, Review
The special project “Viviani on the Road” at the Trianon Viviani Theatre offers an historical travel into the main streets of Naples.
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 

In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 