The Complexities of Consent
Even when catapulted into public discourse in inglorious fashion, a la Aziz Ansari, our...
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Review
Satoshi Miyagi Returns To The Japan Society With “Mugen Noh Othello”
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
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“Hymn To Love” At Divine Comedy Festival 2017
The chorus, as Nietzsche states in The Birth Of Tragedy, “can only be understood as the cause of...
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lan Ayckbourn’s “The Divide” at The Old Vic
Playwright Alan Ayckbourn basically comes in two flavors: suburban comedies of embarrassment and...
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Movie Star-Crossed: Adrienne Kennedy’s “He Brought Her Heart Back in a Box”
The explosively feminine theater of Adrienne Kennedy breaks many of the fundamental “rules” of...
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“The Rage” at Divine Comedy Festival 2017
Divine Comedy Festival 2017 situates itself awkwardly around the peaceful Christmas Market in the...
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The House That Geoff Sobelle Built: Questioning The Fundamentals Of Everyday Life In “Home”
In Home, Geoff Sobelle and company, under the skillful direction of Lee Sunday Evans, create a...
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On Words In Motion: “Brodsky/Baryshnikov”
In scholarly debates on contemporary theatre, the question about language has primary importance....
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“Brodsky/Baryshnikov” – Poetry in Motion
On a Sunday afternoon at the Cutler Majestic in Boston, Brodsky/Baryshnikov had its final Boston...
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Flock Theatre Presents “Long Day’s Journey Into Night” In The Monte Cristo Cottage
On the first night of rehearsal in the Monte Cristo Cottage in New London, CT, Flock Theatre...
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“The Neighbor’s Grief is Greener”: A Dark Domesticity
A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...
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“My Mum’s A Twat” at The Royal Court
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
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“Iyov” Premieres At The Prototype Festival
When a show begins I find it difficult for me to be present. Almost, as if, I’m like...
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“What A Young Wife Ought To Know”: Birth Control Docudrama
Hannah Moscovitch’s play What A Young Wife Ought To Know, which is based on a compilation of...
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“The Grift”: Theatre or Escape Room?
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
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“The Birthday Party” – Revival at Harold Pinter Theatre
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
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“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
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“Rita, Sue And Bob Too” at The Royal Court: The Revival for #MeToo Era
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
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“A Crash Course In Cloudspotting (The Subversive Act Of Horizontality)”: Bringing Awareness Through Art
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
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“The Pursuit Of Happiness” At Under The Radar Festival
New York-based experimental troupe Nature Theater of Oklahoma (NTO) teams up with Slovenia’s...
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