“The White Card”: An Attempt To Communicate
The White Card, Claudia Rankine’s play on racism is having its world premiere at Boston’s...
Read MorePosted by Jane Baldwin | 15th Mar 2018 | Boston, Review, United States of America
The White Card, Claudia Rankine’s play on racism is having its world premiere at Boston’s...
Read MorePosted by Hilary Halba | 15th Mar 2018 | New Zealand, Review, Theatre and Politics
The newest theatre company to emerge from Dunedin, New Zealand’s funky, eclectic arts scene is...
Read MorePosted by Jamie Portman | 14th Mar 2018 | Canada, LGBTQ+ Theatre, Review, United States of America
Larry Kramer’s The Normal Heart is a play fueled by anger. Anger at the political, medical and...
Read MorePosted by Aleks Sierz | 13th Mar 2018 | Adaptation, London, Playwriting, Review, United Kingdom
Electra is the protagonist in two Ancient Greek tragedies, one by Sophocles and the other by...
Read MorePosted by Jonathan Kalb | 13th Mar 2018 | New York, Review, Theatre and Disability, United States of America
Lindsey Ferrentino has done a marvelous thing in conceiving a substantial and nuanced lead...
Read MorePosted by Corrie Tan | 13th Mar 2018 | Festivals, Immersive Theatre, Review, Singapore
If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...
Read MorePosted by Aleks Sierz | 12th Mar 2018 | London, Review, United Kingdom
Theatre is a business as well as a craft. In an age of austerity cuts, and at a time when most...
Read MorePosted by Sara Taylor | 10th Mar 2018 | Participatory Theatre, Poland, Review, Theatre and Disability, Theatre and Politics
Pesach or Passover is the most widely observed Jewish holiday and arguably the most joyful....
Read MorePosted by Massimo Malavasi | 10th Mar 2018 | Italy, Review, Theatre and Opera
Do you know what operetta is? Literally, it indicates a small opera, mostly in one act, with a...
Read MorePosted by Christopher Harris | 10th Mar 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
Terry Eagleton reminds us that in order for tragedy to occur, then the protagonist must be in...
Read MorePosted by James Montaño | 10th Mar 2018 | Boston, Review, United States of America
The legacy of rap in America is rich with rhymes and rhymers that challenge institutionalized...
Read MorePosted by Duška Radosavljević | 9th Mar 2018 | Adaptation, London, Musical Theatre, Review, Theatre and Politics, United Kingdom
The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...
Read MorePosted by Christine Deitner | 8th Mar 2018 | Adaptation, Los Angeles, Review
Los Angeles can be a tricky theatre city to pin down. Though we do have a theatre district it is...
Read MorePosted by Colin Hambrook | 8th Mar 2018 | Review, Theatre and Disability, United Kingdom
Conceived and directed by Rachel Bagshaw and written by Chris Thorpe, The Shape of the...
Read MorePosted by Aleks Sierz | 7th Mar 2018 | London, Review, United Kingdom
Whatever the weather, this week is Frozen. On Broadway, the Disney musical of that name begins...
Read MorePosted by Jonathan Kalb | 7th Mar 2018 | New York, Review, Theatre and Politics, United States of America
New Yorkers have split into factions on Martin McDonagh since his plays first showed up here two...
Read MorePosted by Jane Baldwin | 3rd Mar 2018 | Adaptation, Review, United States of America
Rude Mechs, an Austin-based ensemble in their twenty-first year of collective creation, recently...
Read MorePosted by Kasia Lech | 3rd Mar 2018 | Czech Republic, Poland, Puppetry, Review, Theatre for Young Audiences
“A long, long time ago…or maybe not so long ago…in fact, quite recently, there was a...
Read MorePosted by David O'Donnell | 2nd Mar 2018 | Festivals, New Zealand, Review
Wellington, a portside city famed for its turbulent seas and hurricane-force winds, turned on a...
Read MorePosted by Michael Appler | 1st Mar 2018 | New York, Review, Theatre and Gender, United States of America
Where others this season have failed to mount lovable productions of classic Broadway theater, Bartlett Sher’s lush, elegant revival of My Fair Lady is triumphantly successful.
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