Review Archives - Page 108 of 137

Rapping While White, Surviving While Black: “Hype Man” At Boston’s Company One

Posted by James Montaño | 10th Mar 2018 | Boston, Review, United States of America

The legacy of rap in America is rich with rhymes and rhymers that challenge institutionalized...

Chris Goode’s “Jubilee” – The State of The (Punk) Nation

Posted by Duška Radosavljević | 9th Mar 2018 | Adaptation, London, Musical Theatre, Review, Theatre and Politics, United Kingdom

The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...

Molière’s “The School For Wives” At The City Garage Theatre, Santa Monica

Posted by Christine Deitner | 8th Mar 2018 | Adaptation, Los Angeles, Review

Los Angeles can be a tricky theatre city to pin down. Though we do have a theatre district it is...

What Is The Shape, Color, And Sound Of Pain?

Posted by Colin Hambrook | 8th Mar 2018 | Review, Theatre and Disability, United Kingdom

Conceived and directed by Rachel Bagshaw and written by Chris Thorpe, The Shape of the...

“Frozen” at The Haymarket Theatre

Posted by Aleks Sierz | 7th Mar 2018 | London, Review, United Kingdom

Whatever the weather, this week is Frozen. On Broadway, the Disney musical of that name begins...

Martin McDonagh’s “Hangman” at The Atlantic Theatre

Posted by Jonathan Kalb | 7th Mar 2018 | New York, Review, Theatre and Politics, United States of America

New Yorkers have split into factions on Martin McDonagh since his plays first showed up here two...

Rude Mechs’ Experiment With Dostoevsky’s “Brothers Karamazov”

Posted by Jane Baldwin | 3rd Mar 2018 | Adaptation, Review, United States of America

Rude Mechs, an Austin-based ensemble in their twenty-first year of collective creation, recently...

“Yemaya–The Queen Of Seas” At The Wrocław Puppet Theatre

Posted by Kasia Lech | 3rd Mar 2018 | Czech Republic, Poland, Puppetry, Review, Theatre for Young Audiences

“A long, long time ago…or maybe not so long ago…in fact, quite recently, there was a...

Celebrating Oceanic Voyaging In Spectacular Site-Specific Theatre: “Kupe” And The “Waka Odyssey”

Posted by David O'Donnell | 2nd Mar 2018 | Festivals, New Zealand, Review

Wellington, a portside city famed for its turbulent seas and hurricane-force winds, turned on a...

“My Fair Lady” is Revived, Brilliantly Led by Lauren Ambrose

Posted by Michael Appler | 1st Mar 2018 | New York, Review, Theatre and Gender, United States of America

Where others this season have failed to mount lovable productions of classic Broadway theater, Bartlett Sher’s lush, elegant revival of My Fair Lady is triumphantly successful.

Examining “Tommy” Through a Neurodiverse Lens

Posted by Jonathan Meth | 1st Mar 2018 | Review, Theatre and Disability, United Kingdom

Ramps on the Moon’s adaptation of Pete Townsend’s 1969 concept album ‘Tommy’, toured the UK...

Learning To Live: Two New Plays Examine Hong Kong’s High-Pressure Childhood

Posted by Zolima Citymag | 28th Feb 2018 | Hong Kong, Review, Theatre and Politics

Children. They have the power to change everything. The power to change the future. At least...

Praises To “Athena”

Posted by Jonathan Kalb | 27th Feb 2018 | New York, Review, Theatre and Gender, United States of America

Yesterday I knew nothing about the playwright Gracie Gardner or The Hearth, a feminist theater...

“Gundog” at The Royal Court

Posted by Aleks Sierz | 26th Feb 2018 | London, Playwriting, Review, United Kingdom

First the goats, and now the sheep—has this venue become an urban farm? Rural life, which was once...

“Girls And Boys” at The Royal Court

Posted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom

This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...

“Love In Hate Nation” Premieres At Penn State’s Playhouse

Posted by Tania Barrenechea | 25th Feb 2018 | Musical Theatre, Review, Theatre and Gender, United States of America

My Heart Felt That Sha La La The proscenium stage of the Playhouse has been converted into...

Are Monologues The Best Or “The B*easts” At The Bush Theatre?

Posted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom

Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...

Immersive “Julius Caesar” at The Bridge Theatre

Posted by Aleks Sierz | 24th Feb 2018 | Immersive Theatre, London, Review

“Two things only the people anxiously desire—bread and circuses,” said the Roman poet Juvenal. He...

“Dutchman” At Secret Theater

Posted by Jack Wernick | 24th Feb 2018 | Immersive Theatre, New York, Review, Stage Combat, Theatre and Politics, United States of America

One of New York City’s most dynamic young theater companies makes a bold addition to its...

Serebrennikov’s “Nureyev” At Moscow’s Bolshoi Theatre: Run, Rudy, Run!

Posted by Anna Gordeeva | 24th Feb 2018 | Review, Russia, Russian Theatre - Featured, Theatre and Dance

The glass pavilions that appeared on Teatralnaya Square after the reconstruction of the Bolshoi...

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Review

Rapping While White, Surviving While Black: “Hype Man” At Boston’s Company One

Chris Goode’s “Jubilee” – The State of The (Punk) Nation

Molière’s “The School For Wives” At The City Garage Theatre, Santa Monica

What Is The Shape, Color, And Sound Of Pain?

“Frozen” at The Haymarket Theatre

Martin McDonagh’s “Hangman” at The Atlantic Theatre

Rude Mechs’ Experiment With Dostoevsky’s “Brothers Karamazov”

“Yemaya–The Queen Of Seas” At The Wrocław Puppet Theatre

Celebrating Oceanic Voyaging In Spectacular Site-Specific Theatre: “Kupe” And The “Waka Odyssey”

“My Fair Lady” is Revived, Brilliantly Led by Lauren Ambrose

Examining “Tommy” Through a Neurodiverse Lens

Learning To Live: Two New Plays Examine Hong Kong’s High-Pressure Childhood

Praises To “Athena”

“Gundog” at The Royal Court

“Girls And Boys” at The Royal Court

“Love In Hate Nation” Premieres At Penn State’s Playhouse

Are Monologues The Best Or “The B*easts” At The Bush Theatre?

Immersive “Julius Caesar” at The Bridge Theatre

“Dutchman” At Secret Theater

Serebrennikov’s “Nureyev” At Moscow’s Bolshoi Theatre: Run, Rudy, Run!

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