Review: “Antigone” at the New Diorama Theatre
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to...
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Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
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“Magdalene” at Prototype Festival
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
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Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part II: The Present
The annual ATHE (Associations for Theatre in Higher Education) conference took place in Orlando,...
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Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part I: The Foundation
Originally, this article was conceived as a section of an extended piece called, “Dramaturgs...
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“Cyrano De Bergerac” at The Playhouse Theatre
Actor James McAvoy is much in demand: in the BBC’s His Dark Materials he is busy saving a parallel...
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A Space Divided: GCTC’s “Cottagers and Indians” an Evocative Disavowal of White Privilege
The split is clear upon first glance. He wears muddy jeans and rain boots, while she dons...
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“Chicago:” Presenting Crime as a Show
Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...
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Chris Medvitz: Finding Artistic Solutions
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
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Groundbreaking Festival of Indigenous Theatre at the National Arts Centre in Ottawa: Inaugural Season
Under the direction of Kevin Loring in collaboration with artistic associate Lindsay Lachance, the...
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Rachel Pickup on Her Role in “London Assurance” at NYC’s Irish Repertory Theatre
Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion...
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“Touching the Void” at The Duke of York’s Theatre
Theatre can touch thousands of lives. But can it compete with the success of a bestselling book?...
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Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
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An Interview with Romanian-Born, Award-Winning Playwright, Poet and Scholar Saviana Stănescu
In the past five months, Romanian-born award-winning playwright, poet, and scholar Saviana...
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“A Kind of People” at The Royal Court
The trouble with prejudice is that you can’t control how other people see you. At the start of her...
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“Trojan Horse” at the Battersea Arts Centre
Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...
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Top-Searched Musicals in Africa
Methodology The most-searched-for musicals in Kenya, online, are High School Musical, The Lion...
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Enter Ghost: China’s Growing Obsession With Immersive Plays
Mythic Stories of Fanling Township is the latest production to tap into Chinese theatergoers’...
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Between Freedom and Manipulation: The Situation of Actors in “Factory 2
Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in...
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The Democracy of a Whale Ship (and then a Vaudeville)
Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...
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