The Power of Proximity and the Theatre of Touch: What Losing Live Audiences May Mean for Theatre
Being close to others is intrinsically associated with theatre. In Shakespeare’s London, theatre...
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Featured
The Story Behind Andrew Ssebaggala’s “Mother Uganda”
Rose Mbowa is an indubitable doyenne in Uganda’s theatre. At Makerere University, an ivy league of...
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Juan Mayorga: A View from Madrid
In late March, as Spain experienced the effects of Coronavirus lockdown, publishing house uÑa RoTa...
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“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
Song of the Goat Theatre was founded in 1996 by Grzegorz Bral and Anna Zubrzycki, and is now led...
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As We Turn to Creativity in Isolation, The Coronavirus is a Calamity on Top of an Arts Crisis”
Some years ago, I traveled to Israel for a conference on dramaturgy. Losing my way at the train...
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TheTheatreTimes.com Launches the Second Edition of IOTF: International Online Theatre Festival
IOTF: THE SECOND INTERNATIONAL ONLINE THEATRE FESTIVAL “In a world where you can be anything . ....
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La Vie Sanatorienne: Cezary Tomaszewski’s “My Stay Is Almost Done and I Don’t Belong to Anyone”
My Stay Is Almost Done and I Don’t Belong to Anyone is the story of a desperate search for love...
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A Mid-Pandemic Letter To The City Of Ottawa From A Young Theatre Critic (CC: GCTC’s Daisy)
It’s been a strange few weeks. Despite the unprecedented scope of this cultural wound, I write to...
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Donald Howarth (1931-2020) Playwright and Director – an Obituary.
Donald Howarth, who has died in London aged 88, was one of the celebrated generation of...
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“Dance Nation” Review: An Outrageous Depiction of Girls Grasping their Emerging Sexuality and Power
Review: Dance Nation, directed by Imara Savage. State Theatre Company South Australia and Belvoir...
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Interview with Playwright David Lescot
Guillaume Clayssen, a fellow playwright, interviewed David Lescot on his newest piece in June 2016...
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After the Plague, Shakespeare Imagined a World Saved from Poison, Slander and the Evil Eye
Shakespeare lived his life in plague-time. He was born in April 1564, a few months before...
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Coronavirus has Dimmed the Lights on Live Entertainment. What Now for Event Managers?
COVID-19’s impacts on society are unprecedented and nobody can say precisely when we will return...
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Shakespeare in the Era of Social Distancing
While it can never really supplant the vibrancy and vividness of live, in-the-flesh theatre, the...
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“Bubble” is Digital Performance for the Political Viewer
It’s only been a week since London’s West End went dark and theatres closed all over the UK, but...
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“Play In Your Bathtub” and “Life on Earth:” The Immersive and Digital Theatre in the Time of Social Distancing.
Like many of us during the COVID-19 quarantine, I am nostalgic for the times when we could go to...
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Family and Community and Isolation in “The Croft”
With everyone in lockdown, observing physical if not social distancing, a story about isolation...
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Samia Jaheen: The Story of All Stories
Samia Jaheen’s performance was part of the 10th Hakawy International Arts Festival for...
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Sarah Kane Through a Russian Prism
Of all the unexpected things I think I might be able to imagine, one I could never have imagined...
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The Theatre Times OITF: The International Online Theatre Festival runs from 15 April to 15 May....
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