Girls to the Front: “Mac Beth” at Hunter Theater Project
Reading dry Shakespeare texts and going to parties at friends’ places seem like quintessential...
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Featured
Dejan Sretenović on Marina Abramović: “She is a Case Study for Young Performers – to Learn, to Be Brave, to Know Different Genres”
Witch. Icon. Legend. Showman – Marina Abramović is all of that, and more. “I realized then...
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“The Chains:” Dance Theatre Uganda Returns with a Bang!
We last saw them on stage in 2016. We thought they had gone down the way of most companies –...
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Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make
It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....
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Churchill’s “Far Away” at The Donmar Warehouse
Caryl Churchill, Britain’s best living playwright, is enjoying a spate of high-profile revivals of...
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Updating “Romeo and Juliet” in a Bid to Fight Prejudice in Japan
With William Shakespeare’s iconic use of English lost in translation, bold and reimagined versions...
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Filming in Cunningham’s Footprints
Cunningham Directed by Alla Kovgan “A 3D cinematic experience about legendary American...
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Born Toulouse
To find Unmaking Toulouse-Lautrec, you will first enter through the wrong door. The production is...
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Tim Cowbury’s “The Claim” at Shoreditch Town Hall: Quietly Satirical Account of Political Asylum
Your story. Our story. Their story. Just imagine: you’re a political refugee, and, having...
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As Fates Would Have It – What We Learn From Minor Players In Greek Tragedies And Hollywood Films
Many will be familiar with the looming presence of Oedipus or Antigone in Classical Greek tragedy....
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“Albion” Returns to The Almeida, but Falls Short of Its Political Aspirations
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
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On Guts and Astonishing Effect: Gctc’s “Kiinalik: These Sharp Tools”
There’s a danger to hasty reaction. To act on instinct is to perhaps ignore a bigger contextual...
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Henrietta Baird’s “The Weekend” Proves the Enduring Power of Solo Performance
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
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The Art of Condensing Shakespeare’s Oeuvre
In theater, as in daily life, it is possible to have too much of a good thing. Such was the case...
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Funny and Fem, “She the People” at the Huntington Theatre Company
Visiting the city of Boston during its national tour, the Second City sketch revue She The People:...
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“Revenge Song” – A Vampire Cowboys Creation at Geffen Playhouse
Okay, my global theatre friends, we admit it – we here in Los Angeles have been missing...
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Antoinette Nwandu’s “Pass Over” at the Kiln Theatre
Antoinette Nwandu’s play Pass Over is a palimpsest. Its outer surface looks familiar: haunted by...
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Screaming, Sweat, and Prizes in “Old School Game Show” at OBERON
One of Boston’s long-running interactive theatrical events, now featured routinely at the...
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A Hong Konger in Berlin – Armie Ma’s “No Coming Back” in Adelaide Fringe Festival
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
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Caryl Churchill’s “A Number” at the Bridge Theatre: Family Drama About Genetic Manipulation
Genetic engineering is in the news again. This follows the resignation of Andrew Sabisky as...
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