“Love”—A Dissenting View
Alexander Zeldin’s Love— a much-celebrated, quietly confrontational, British-devised piece from...
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Theater, A Major Job Sector
That AI is poised to take over countless jobs, wipe out entire job sectors, is all over the news...
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The House Where Phantom Lived. Part II – Her Majesty’s Theatre, London.
Аn Exclusive Interview with James Paterson who was part of the original cast of the legendary...
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“TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say?
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
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“Lemons Lemons Lemons Lemons Lemons” Play – How Silence and Body Language Can Communicate as Much as Words
When we talk to each other, there’s what we say out loud, what we wish we could say, and what...
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“All Night Long” by Chantal Akerman
Dance, the maternal and the push and pull against the form. The feature length film Toute une nuit...
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With Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
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The Envy of Baz Luhrmann: A Parkside “Romeo + Juliet” to Remember
It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard’s...
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“Sex Magick”: This Gender-Bending, Time-Traveling Play Invites You to Detangle Love and Sex
Boy meets girl. Boy falls in love with girl and follows her to India. Boy has a transformative...
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Interview: The “Best Time to Be Alive” and The Reclamation of Identity
On March 17, 2023, New York City’s Bedlam hosted the first industry reading of Best Time to Be...
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Touching the Azerbaijani Theatre: From Ritual to Spontaneity
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
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“Theatre Is King”: The 2023 Kenya Theatre Awards
The second edition of the Kenya Theatre Awards took place on 23rd February 2023 at the Kenya...
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Broadway Bodies: An Interview with Ryan Donovan
Productions of Broadway musicals have body issues. Full stop. From casting norms for Broadway...
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You Came to See the Obscene?—”2020: Obscene”
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
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Bjørg Vik’s “The Journey To Venice” At the Finborough Theatre: Norwegian Memory Play Is Tender If Slight
Bjørg Vik’s The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight
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Art and Tech Imaginings of Kat Mustatea
Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...
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Remembering A Silenced Teacher: Xavier Bobés And Alberto Conejero’s “El Mar. Visión De Unos Niños Que No Lo Han Visto Nunca”/”The Sea. Vision Of Some Children Who Have Never Seen It”
Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that...
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Speaking from Outside: Interview with Olga Voronkova
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
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Matilda Feyiṣayọ Ibini’s “Sleepova” at the Bush Theatre: Rather Predictable, but Fun Show about Coming of Age
Is anyone still nostalgic about their teen years? The coming-of-age drama is a staple of...
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Breaking Down Barriers through Cultural Policies: A Conversation with Artistic Director and Producer Jesús Cimarro
Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las...
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