India: Rangapat Theatre’s “Dharmashoke”: A New and Fresh Look into His/Herstory
In the latter half of April 2016, Rabindra Sadan, Kolkata, was all abuzz with the excitement of...
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Partha Pratim Mitra’s “Pot Pot Potuya”: The Culture Within a Cultural Framework
The dramatic performance of Pot Pot Potuya (at Dinabandhu Mancha, Siliguri, December 2015) shows...
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“Aaydaan” – Urmila Pawar’s Drama about Dalit Women in India
In Marathi literature, one finds a strong tradition of Dalit literature, including autobiographies...
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Broadway’s First Steps Into Live Streaming and Digital Documentation
For the first time in Broadway history, on June 30th 2016, a musical was live streamed: Roundabout...
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Dramaturgy Award for Geoff Proehl
TACOMA – Geoff Proehl, professor of theatre arts at University of Puget Sound, has been selected...
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Digital Feelings Erupt in Theater
Theater, Yale’s journal of criticism and performance, launched its special issue on “Digital...
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“Leila Men Alf Leila” Revives Artistic Heritage Of Arabic Theatre
On the second day of Eid Al-Fitr, Egypt’s national theatre witnessed the opening of the second...
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Suicide as the Awareness of Meaninglessness in “Death and the King’s Horseman”
On July 28, 1914, Austria declared war on Serbia. The next day, across the Danube, Belgrade, came...
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Public Theatres Vs. The Independents: The Saga Of The Never-Ending Systemic Change In Romania (I)
With a new–and technocratic–government, a Ministry of Culture with a limited mandate (until the...
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New Belarusian Dance: The Beginnings
Contemporary dance in Belarus does not have a long history. Contrary to Western European...
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“Leila Men Alf Leila” Revives Artistic Heritage Of Arabic Theatre
On the second day of Eid Al-Fitr, Egypt’s national theatre witnessed the opening of the second...
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Dmitry Krymov’s “The Square Root of Three Sisters”
The U.S. is crazy over Krymov – Russian director gives a modern twist to a classic play. A...
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Shostakovich Playwright Lewis Owens Announces New Mayakovsky Play For Autumn 2016
BLACK, WHITE, AND RED ALL OVER By Lewis Owens The Grand Ballroom, New York Plaza Hotel, Saturday,...
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India On Stage: What When Where
Theater performances in India are a costly affair; however, they are in high demand across the...
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Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
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International Festival of Ancient Greek Drama
The International Festival of Ancient Greek Drama is a distinct cultural event with an...
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A Chekhov-Inspired Play Tops The Line-Up At Yale Theater Festival
The U.S. is crazy over Krymov – Russian director gives a modern twist to a classic play. A...
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A Chekhov-Inspired Play Tops The Line-Up At Yale Theater Festival
The U.S. is crazy over Krymov – Russian director gives a modern twist to a classic play. A...
Read More
Dramatist Speaks Up For The Downtrodden And New Thinking In Japan
Fifty-three-year-old Oriza Hirata unexpectedly arrived early for our 9 a.m. interview in a Tokyo...
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“The Point Of No Return”: A Maidan-Themed Theatre Production Shown In London
The Point of No Return, a Maidan-themed theatre production by the BeFrank Theatre Company, was...
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