Interview with Spanish Scenic Designer Jose Luis Raymond
José Luis Raymond is a multi award-winning Spanish Stage Designer, Director, Plastic Artist, and...
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Tena Štivičić’s “3 Winters” At The Royal National Theatre, Reviewed By Evgeniya Yarkova
3 Winters at the Royal National Theatre tells the 60-year story of a Croatian family living in...
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Where Are the Women in French Theater?
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Ridley Scott’s Casting Of White Actors Is Symptomatic Of Larger Problems
Director Ridley Scott recently set off a firestorm when he dismissed those who criticized him for...
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Staging Power: David Williamson’s Portrait Of Citizen Murdoch
The Melbourne Theatre Company’s (MTC) production of David Williamson’s 2013 play Rupert has...
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“Venus in Furs” at The Budapest English Theatre
Venus in Fur, the collaborative performance of the Budapest English Theatre and the Prague...
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Strange Fates of Shakespeare’s First Folio
The Shakespeare First Folio (1623), the first collected edition of his plays and the sole source...
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“Dangerous Acts Starring The Unstable Elements Of Belarus”: Review By Jesse Kirkwood
“Belarus is not sexy. Sexy countries have oil, gas, diamonds, sea, mountains … Belarus has...
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The Profound Effect of Russian Plays on Nicola McCartney
This is the second installment in John Freedman’s TheaterPlus video blog, which now appears...
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Pinchgut’s “Iphigénie En Tauride”: A Work Of Pure Theatrical Magic
In any Opera History 101 course, Christoph Willibald Gluck (1714-1787) is cited as one of the...
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Comparing New York and Parisian Theatre
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Sasha Dugdale Recalls the Origins of New Drama in Russia
Back when I used to publish a blog called TheaterPlus on the website of The Moscow Times, I would...
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China’s “Cherry Orchard”
“Medicine is my lawful wife and literature is my mistress,” said Anton Chekhov (1860-1904), “when...
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A Singing General
The premiere of the opera Coriolanus based on a play by Shakespeare and staged by Vlad Troitsky is...
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Can Keene/Taylor’s New Play “Dreamers” Keep Us From Despair?
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
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Interview With the Creative Team of “Notes from Underground”
British actor Harry Lloyd and French director Gérald Garutti’s stage adaptation of the Fyodor...
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Unifying Shakespeare: Globe Theatre’s Russian Tour Ends On Thrilling Note
Visit closes with Moscow performances of A Midsummer Night’s Dream. London’s Globe...
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Intermittence Du Spectacle
Since moving back to Paris this fall, I’ve been making my rounds at the theater, sampling this...
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Colombian Patricia Ariza Receives International Theatre Award
Colombian playwright, director, producer, dramaturg and actor, Patricia Ariza receives the 2014...
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Jeff Burchfield’s “Dream Come True” in Berlin
Theatre and Opera Editor Marcina Zaccaria spoke with actor Jeff Burchfield in 2014, who was...
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