“Crazy Camel” Helps Butoh Over The Hump
“Many people have a preconception about butoh — that it is performed by dancers whose bodies...
Read MorePosted by Nobuko Tanaka | 25th Jan 2016 | Japan, Review, Theatre and Dance
“Many people have a preconception about butoh — that it is performed by dancers whose bodies...
Read MorePosted by Alana Lentin | 22nd Jan 2016 | Australia, Devised Theatre, Review
Before even entering the Drama Theatre at the Sydney Opera House on the opening night of All The...
Read MorePosted by Zolima Citymag | 21st Jan 2016 | China, News, Theatre and Art
Looking for theatre in Hong Kong? It’s fairly common to catch sight of a bright advertisement...
Read MorePosted by Nobuko Tanaka | 16th Jan 2016 | Acting, Japan, Review
Tokyo was bathed in warm sunshine in the run-up to 2016, and when Takehiro Hira meets me at a...
Read MorePosted by Anna Kamaralli | 21st Dec 2015 | Acting, Australia, Essay
As the year’s major family holiday season arrives, now is a good time to consider how much about...
Read MorePosted by John Freedman | 24th Nov 2015 | Directing, Review, Russia
After a 24 year hiatus, Russian director Kama Ginkas has again stepped into one of the most famous...
Read MorePosted by Julian Meyrick and Elizabeth Schafer | 23rd Nov 2015 | Australia, Playwriting, Review
In one sense every play staged is a play for its times. Something about it attracts, provokes or...
Read MorePosted by Claire Hansen | 8th Nov 2015 | Australia, Directing, Review
Today, Shakespeare’s Hamlet is a play that haunts itself. Its saturation into cultural...
Read MorePosted by Camelia Ciobanu | 5th Nov 2015 | Review, Romania
It’s one hundred years since the birth of Gellu Naum, Romania’s greatest Surrealist poet. Two...
Read MorePosted by Sheila T. Cavanagh | 3rd Nov 2015 | Essay, Translation, United Kingdom
An uproar ensued after it was reported that the Oregon Shakespeare Festival (OSF) – southern...
Read MorePosted by Kechi Nomu | 31st Oct 2015 | Nigeria, Review
At its worst, Altine’s Wrath, written by Femi Osofisan (one of Nigeria’s better-known playwrights)...
Read MorePosted by Samuel Ravengai | 30th Oct 2015 | Essay, South Africa, Theatre and Decolonization, Theatre and Politics
The Western dramatic canon has been a source of irritation to some Afrocentrists, who see it as...
Read MorePosted by Giorgia Alu | 27th Oct 2015 | Australia, Essay, Theatre and Politics
The play Jurassica, currently being performed at St. Kilda Theatre in Melbourne, begins with “the...
Read MorePosted by David Chisholm | 22nd Oct 2015 | Australia, Musical Theatre, Review
Last night, The Experiment – of which I’m part – opened at the Melbourne Festival. The story of...
Read MorePosted by Julian Meyrick and Elizabeth Schafer | 21st Oct 2015 | Australia, Directing, Essay
Old soldiers fade away. Old theatre directors disappear more quickly. And old female directors can...
Read MorePosted by Asher Warren | 19th Oct 2015 | Adaptation, Australia, Review
The tragedy of Shakespeare’s Desdemona haunts the literary canon. Her murder at the hands of her...
Read MorePosted by Michael Halliwell | 18th Oct 2015 | Australia, Design, Review, Theatre and Opera
What is opera? This is a question that has engaged puzzled commentators and practitioners since...
Read MorePosted by Paul Rae | 15th Oct 2015 | Adaptation, Australia, Review
In Desdemona, Toni Morrison’s response to Shakespeare’s Othello, which opens today at the...
Read MorePosted by Farida Fozdar | 14th Oct 2015 | Australia, Essay, Theatre and Dance
Australia’s “boat people crisis” has, we’re told, been averted and for many, it’s a case of “out...
Read MorePosted by Robert Hassan | 14th Oct 2015 | Adaptation, Australia, Melbourne, Review
The blurb for Robert Icke and Duncan Macmillan’s stage adaption of George Orwell’s 1984 for the...
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