The Myth of Eleonora Duse: A Photographic Exhibition in Venice, at the Giorgio Cini Foundation
In November 2011, in Venice, the Giorgio Cini Foundation officially opened a new permanent space...
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Interview With João Garcia Miguel, Acclaimed Portuguese Director
The interview was conducted in Guimarães, Portugal, on October 8, 2016, after I saw his play Nós...
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Krzysztof Warlikowski’s Queer Interventions
In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...
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Iraqi-Swedish Theatre Director Anmar Taha Explores Nightmares, Searches for Peace
Pillars of Blood is a performance focusing on memories of the Iraqi crisis as captured by Anmar...
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Kyoto Experiment Autumn 2016
Kyoto Experiment, or the Kyoto International Performing Arts Festival, will be held for the...
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“Mantrankam” A 41-day Sanskrit Play Reopened in Kerala
After two decades, the fascinating ceremony of a 41-day Sanskrit play performed as a ritual...
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Ta’ziyeh – Ritual Performance During Muharram
Muharram, the first month of the Islamic (lunar) calendar, coinciding this year with the seventh...
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“Shopping and F***” is Back – How it Rocked Then and Why it’s Relevant Now
Shopping and Fucking was the most iconic play of the 1990s. As it is revived, 20 years on, we look...
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Alternative Worlds and Dream Worlds
Katrin Brack and Barbara Ehnes, two set designers, have influenced and even changed the theatre....
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Interview With Mohammad Yaghoubi, Acclaimed Iranian Playwright and Director
Acclaimed Iranian playwright Mohammad Yaghoubi was in Toronto directing the Canadian premiere of...
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Contemporary New Play Development in Italy: A Playwright Shares Her Experience
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
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“The Seedling Project” Premieres in NYC
The Seedling Project is an original play inspired by the true stories of women and men as they...
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“By Heart” Hits You In-Yer-Heart
Grandma Cândida died some months ago, and her grandson, the Portuguese playwright Tiago Rodrigues,...
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“An Enemy of the People”: The Egyptian Experience
It was September 2012 that I had decided to stage An Enemy of the People, by Henrik Ibsen. A play...
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Theatre During Rio’s Olympic Games: Festival of Festivals
During the Rio 2016 Olympic Games season, the Centro de Artes Cênicas (Performing Arts Center) of...
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Theatre Projects of Refugee Artists
On the German stage refugees are still often the authentic narrators of their fate, directed by...
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Sarah Ruhl’s New Play Opens at Yale Rep
Sarah Ruhl’s new play Scenes from Court Life, or the whipping boy and his prince, premiered...
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PlayPenn’s Rent-a-Dramaturg program
Dramaturgs have always been part of each team working at PlayPenn. But since 2012, its...
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PAWSTUDIOS Presents “Shattered” in Honour of International Day for The Girl Child
In anticipation of the International Day for the Girl Child, the Performing Arts Workshop and...
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Is There a Peruvian Theatre Canon? Part One: “Ipacankure” (1968) by César Vega Herrera
How to determine which works of theatre belong in a canon is a perennial question, especially...
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