“Charlie and the Chocolate Factory” on Broadway
My companion at Charlie and the Chocolate Factory, the new Broadway musical adaptation of Roald...
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Featured
Mourning in America: Target Margin Brings O’Neill’s Ghosts to Life
Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...
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Lady Macbeth Sings Traditional Korean Ballad: An Interview With Tae-Sook Han
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
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Martin Crimp’s “The Treatment” at Almeida Theatre
Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...
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Russian Puppetry
It is natural for humans to animate and anthropomorphize anything they touch. Puppetry is a...
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Duncan Macmillan’s “City of Glass” at Lyric Hammersmith
Playwright Duncan Macmillan has had a good couple of years. In 2015, his play People, Places and...
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Amanda Li in “Dream of the Red Chamber”
When Amanda Li steps onto the stage in the classic Dream of the Red Chamber, she’ll do so having...
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Giving the Leading Role to the Body
Stage movement has managed to secure its place in Polish theatres. The work of a dancer or a...
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Theater Review: Arthur Miller’s “The Price”
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
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The Actor is the Message: An Interview with Sophie Rois
The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...
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Storytelling and Catching Wild Birds – Talking Dramaturgy With Shilpa T-Hyland
A conversation about dramaturgy, storytelling and outside eyes with Shilpa T-Hyland, co-artistic...
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Past Due: Sarah Benson Directs Richard Maxwell’s “Samara”
In the closing moments of Richard Maxwell’s Samara, the audience is plunged into near-total...
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Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
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“The Plague” at Arcola Theatre
The idea of the plague has a powerful metaphorical aura. Antonin Artaud used it in his seminal...
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“Expensive Shit” at Soho Theatre
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine...
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“The Philanthropist” at London’s Trafalgar Studios
One good reason to visit the theatre is to see stars in the flesh. And some of the biggest celebs...
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Conversation with Mauricio Kartún, Argentinian Playwright and Director
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
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“Ashes Afar”–Andreaa Bortun’s Corruscatingly Intense Anatomy Of Migration
What do we mean by “home?” This is the central question posed by Romanian playwright...
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“Guards at the Taj” at the Bush Theatre
The Bush is back! After a whole year of darkness, the West London new writing venue has reopened...
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“Made in India” by Tamasha Theatre Company Tackles the Subject of Fertility and Surrogacy
Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...
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