Cyber Theatre in China: Performance or Action?
Twenty years ago, it was inconceivable for people to meet without a physical encounter. But today,...
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David Henry Hwang’s “Chinglish” Premieres in London
There is something strangely genuine and comically truthful about the European première of David...
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“My Country; A Work in Progress” The First Play Explicitly About Brexit
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
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Brexit Play Attempts to Break the Bubble
Much has been written over recent months about the apparent bubble in which we are all now living,...
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Hamlet-Inspired “Love in Idleness” at the Menier Chocolate Factory
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
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“The Hairy Ape” at the Park Avenue Armory, NYC
As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...
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Romeo, Juliet, and You: CoLab Theatre is Back Challenging the Bard with Interactivity
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
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Interview: Mikhail Baryshnikov On The Premiere Of Brodsky/Baryshnikov Project In London
“Fire, Death, Anxiety, Love, Fear…It’s All There.” Brodsky / Baryshnikov is a one-man show based...
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The Transcultural Force of a Chinese-style “Decalogue” in Poland
In May, September, and November 2016, the Stary Teatr in Krakow staged an exquisite and courageous...
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Daughters of Misfortune: Guillermo Calderón’s “Villa”
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
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Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez
There is a place in Madrid well known for the old things that are sold inside. It is an antique...
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A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski
Founded in 1991 by Piotr Tomaszuk and Tadeusz Słobodzianek, Teatr Wierszalin is currently run by...
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Opera: Sex, Violence, and Politics – An Immersive Exhibition
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
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There Is No Friendship In Politics: “Limehouse” Appeals To The Politically Prone
Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime...
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An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
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Understated Risk-Taking in Beckettian “Wakey, Wakey”
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
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Nowy Teatr’s “Generation After” Showcases “New School” of Polish Dance and Theatre
From March 23 to 25, Warsaw’s Nowy Teatr, together with the Adam Mickiewicz Institute, presented...
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Kama Ginkas’ “The Black Monk”
While at his family estate in Melikhovo in the early 1890s, Anton Chekhov dreamt of a monk...
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Theatre Review: “The Little Prince” An Inventive Russian Take On Saint-Exupéry’s Modern Classic
The Little Prince–the classic novella by Antoine de Saint-Exupéry–is about a pilot stranded in the...
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A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”
An originator of the Viewpoints system of training for actors and founder of SITI company,...
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