Jez Butterworth’s “The Ferryman” at Royal Court Theatre
I hate the kind of hype that sells out a new play within minutes of tickets becoming available....
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Featured
A Critical Look At Criticism: An Interview With Nikolaus Müller-Schöll And Gerald Siegmund
Criticism is currently booming in Germany. Many symposia are devoted to it, as, for example, the...
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Adapting Pier Paolo Pasolini: “T.E.O.R.E.M.A.T.” by Grzegorz Jarzyna
Teorema occupies a position of special importance in Pier Paolo Pasolini’s production, both as a...
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Paweł Korbus: “Influence Diagram”
During his residential stay (May–June 2016), the Polish artist and performer Paweł Korbus (1983)...
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Interview with Amy Aquino
You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...
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Is Polish Theatre Under the Threat? News From Kraków
The Old Theatre in Kraków has just got a new General Director. Surprisingly, or maybe even...
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The Latinx Play Project: Building a Movement in Ashland
On April 27-29, Oregon Shakespeare Festival (OSF) welcomed Latinx theatre artists and advocates to...
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Moscow to Host Benois de la Dansé for the Best in Ballet
The Benois de la Dansé prize for contributions to the art of ballet is one of the most prestigious...
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Simon Stephens’ “Nuclear War” at The Royal Court Theatre
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with...
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“The Pulverised” at the Arcola Theatre
In the growing xenophobic atmosphere of Brexit it is a relief to see a show from Europe, to get a...
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“Charlie and the Chocolate Factory” on Broadway
My companion at Charlie and the Chocolate Factory, the new Broadway musical adaptation of Roald...
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Mourning in America: Target Margin Brings O’Neill’s Ghosts to Life
Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...
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Lady Macbeth Sings Traditional Korean Ballad: An Interview With Tae-Sook Han
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
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Martin Crimp’s “The Treatment” at Almeida Theatre
Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...
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Russian Puppetry
It is natural for humans to animate and anthropomorphize anything they touch. Puppetry is a...
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Duncan Macmillan’s “City of Glass” at Lyric Hammersmith
Playwright Duncan Macmillan has had a good couple of years. In 2015, his play People, Places and...
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Amanda Li in “Dream of the Red Chamber”
When Amanda Li steps onto the stage in the classic Dream of the Red Chamber, she’ll do so having...
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Giving the Leading Role to the Body
Stage movement has managed to secure its place in Polish theatres. The work of a dancer or a...
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Theater Review: Arthur Miller’s “The Price”
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
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The Actor is the Message: An Interview with Sophie Rois
The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...
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