“The Lorax” An Exciting And Transformative Experience For The Whole Family
The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...
Read MorePosted by Alvina Ruprecht | 21st Dec 2017 | Canada, Review, Theatre for Young Audiences
The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...
Read MorePosted by Valentina Riccardi | 21st Dec 2017 | Australia, Interview, Theatre and Dance, Transcultural Collaborations, Translation
Interview conducted as part of the media partnership between Culture360 and International Theatre...
Read MorePosted by Connor Meeker | 21st Dec 2017 | Adaptation, Canada, North America, Review
Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...
Read MorePosted by Yana Meerzon | 21st Dec 2017 | Italy, News
The XIV Europe Prize Theatrical Realities went to Susanne Kennedy, Jernej Lorenci, Yael Ronen,...
Read MorePosted by Sigríður Jónsdóttir | 20th Dec 2017 | Iceland, News, Theatre and Gender, Theatre and Politics
In his 1991 book Roman Theatre And Its Audience, Richard C. Beacham forms the theory that the...
Read MorePosted by Vidhu Singh | 20th Dec 2017 | Festivals, News, North America, Transcultural Collaborations, United States of America
As a team member of the first-time partnership between Golden Thread Productions and Literary...
Read MorePosted by Leith Taylor | 19th Dec 2017 | Acting, Australia, Essay
Performers are twice as likely as the general population to experience depression, according to...
Read MorePosted by Nicole Birmann | 19th Dec 2017 | Festivals, France, Interview, Theatre and Dance, United States of America
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
Read MorePosted by Aleks Sierz | 18th Dec 2017 | Review, Syria, Translation, United Kingdom
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
Read MorePosted by Diwan Singh Bajeli | 18th Dec 2017 | Adaptation, India, Review
Kanchan Ujjal Singh’s adaptation of Amrita Pritam’s popular novel, Pinjar, does justice to the...
Read MorePosted by Anadolu Agency | 17th Dec 2017 | News, Theatre and Disability, Turkey
The whirling dervishes group, “Umudun Kanatları” (“Wings of Hope”),...
Read MorePosted by Mathias Daval | 16th Dec 2017 | Festivals, Israel, Review
Each year, the Hanoch Levin Institute organizes a showcase of theatre creations: International...
Read MorePosted by Margarita Vargas | 15th Dec 2017 | Adaptation, Mexico, Playwriting, Review
After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...
Read MorePosted by Emiliia Dementsova | 15th Dec 2017 | Directing, Essay, News, Russia, Russian Theatre - Featured, Theatre and Politics
World-renowned Russian and Soviet theatre director Yuri Lyubimov (1917–2014) rose to fame and...
Read MorePosted by Clement Lee | 14th Dec 2017 | Design, Hong Kong, Netherlands, Review
In early September, around 20 participants, including I, have ended a magical month as theatre...
Read MorePosted by Annie Smith | 14th Dec 2017 | Canada, Festivals, Review, Theatre and Dance
Vancouver, British Columbia Annie Smith review’s Circadia Indigena’s Greed/REsolve, a contemporary...
Read MorePosted by Christopher Harris | 13th Dec 2017 | Dramaturgy, Netherlands, News, Transcultural Collaborations
ASAP is a new initiative of both staff members and students from the Theatre Studies department at the UvA in order to create space for exchange within and around the department of Theatre Studies.
Read MorePosted by Duška Radosavljević | 13th Dec 2017 | Dramaturgy, Essay, Participatory Theatre, United Kingdom
Between 2002–2005, I carried the professional title of a Dramaturg in the UK. Even when confronted...
Read MorePosted by Aleks Sierz | 12th Dec 2017 | Essay, London, Playwriting, Review, Theatre and Politics, United Kingdom
Friday, May 7, 2010; Brixton, south London; darkest night. Early dawn touches a Victorian terraced...
Read MorePosted by Vikram Phukan | 12th Dec 2017 | Immersive Theatre, India, Review
Earlier this year, as a whimsical Valentine’s Week Special targeted the blissfully single rather...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025 
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
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