Mind The Gap: Theatre Group For The Over 60s Helps Salisbury Playhouse Cater For All
One of the things Salisbury Playhouse tries to do is provide opportunities for everyone in the...
Read MorePosted by Lucy Rouse | 4th Mar 2018 | Acting, News, Theatre and Age, United Kingdom
One of the things Salisbury Playhouse tries to do is provide opportunities for everyone in the...
Read MorePosted by Jane Baldwin | 3rd Mar 2018 | Adaptation, Review, United States of America
Rude Mechs, an Austin-based ensemble in their twenty-first year of collective creation, recently...
Read MorePosted by Kasia Lech | 3rd Mar 2018 | Czech Republic, Poland, Puppetry, Review, Theatre for Young Audiences
“A long, long time ago…or maybe not so long ago…in fact, quite recently, there was a...
Read MorePosted by David O'Donnell | 2nd Mar 2018 | Festivals, New Zealand, Review
Wellington, a portside city famed for its turbulent seas and hurricane-force winds, turned on a...
Read MorePosted by Ewa Guderian-Czaplińska | 2nd Mar 2018 | News, Poland, Theatre and Science
The Institute of Theatre and Media Arts at Adam Mickiewicz University in Poznań runs two-degree...
Read MorePosted by Kasia Lech | 1st Mar 2018 | Directing, News, Poland, Theatre and Politics
Jacek Głomb, Polish director and Artistic Director of the Modjeska Theatre in Legnica, has just...
Read MorePosted by Michael Appler | 1st Mar 2018 | New York, Review, Theatre and Gender, United States of America
Where others this season have failed to mount lovable productions of classic Broadway theater, Bartlett Sher’s lush, elegant revival of My Fair Lady is triumphantly successful.
Read MorePosted by Kasia Lech | 1st Mar 2018 | Czech Republic, Essay, Poland, Puppetry, Theatre for Young Audiences, Transcultural Collaborations
Jakub Krofta is currently the Artistic Director of the Wrocław Puppet Theatre (Wrocławski Teatr...
Read MorePosted by Jonathan Meth | 1st Mar 2018 | Review, Theatre and Disability, United Kingdom
Ramps on the Moon’s adaptation of Pete Townsend’s 1969 concept album ‘Tommy’, toured the UK...
Read MorePosted by Zolima Citymag | 28th Feb 2018 | Hong Kong, Review, Theatre and Politics
Children. They have the power to change everything. The power to change the future. At least...
Read MorePosted by Jonathan Kalb | 27th Feb 2018 | New York, Review, Theatre and Gender, United States of America
Yesterday I knew nothing about the playwright Gracie Gardner or The Hearth, a feminist theater...
Read MorePosted by Rach Skyer | 27th Feb 2018 | LGBTQ+ Theatre, London, News, United Kingdom
A blog by Rach Skyer for UK Theatre to mark LGBT History Month. Producer and Actor Rach Skyer is a...
Read MorePosted by Aleks Sierz | 26th Feb 2018 | London, Playwriting, Review, United Kingdom
First the goats, and now the sheep—has this venue become an urban farm? Rural life, which was once...
Read MorePosted by Ahram Online | 26th Feb 2018 | Egypt, Festivals, News
This year’s festival kicked off in Cairo on February 13, moved to Alexandria, and concluded...
Read MorePosted by Bernadette McNulty | 25th Feb 2018 | Acting, London, News, United Kingdom
Acting, as the cliché goes, is child’s play. All that dressing up and pretending to be someone...
Read MorePosted by Russia Beyond | 25th Feb 2018 | News, Russia, Theatre and Disability, Theatre and Film
A new vision of Three Sisters play will hit U.S. and UK cinemas. Theater company Stage Russia is...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Tania Barrenechea | 25th Feb 2018 | Musical Theatre, Review, Theatre and Gender, United States of America
My Heart Felt That Sha La La The proscenium stage of the Playhouse has been converted into...
Read MorePosted by Kasia Lech | 25th Feb 2018 | Czech Republic, Essay, Poland, Puppetry, Theatre for Young Audiences
‘In theatre the national differences, instead of dividing, are now connecting,’ says Polish...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
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