TPAM’s Magic Happens In Front Of And Behind The Curtain
Back in 1995, some of the movers and shakers of the domestic theater scene got together at various...
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Thomas Ostermeier’s “Returning To Reims”
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
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“Water By The Spoonful” At The Mark Taper Forum
From the moment the play begins, it doesn’t take long for anyone to understand why playwright...
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The Importance Of Documenting And Archiving The Performing Arts
Chloe Chotrani is a movement artist and writer based in Singapore. She has set up the performing...
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Jaclyn Backhaus’ “Men On Boats” (Re)Imagines History With Women Front And Center
In a city that still has a relatively conservative theatre community such as Houston, seeing ten...
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“Pollock” A Play By Fabrice Melquiot: Conversation with French Director Paul Desveaux
A production from Compagnie L’Héliotrope, and co-presented by the Cultural Services of the...
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SIFA’s “Trojan Women”: An Allegory For Modern Times
Euripides’ play Trojan Women has been adapted and performed numerous times around the world, from...
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Dance Dramaturgy and The Art That Moves: Lim How Ngean
Art that Moves is an occasional series where we ask artists and other creative workers to reflect...
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Change Is In The Air For New National Theater Tokyo In 2018
At the start of each year, the New National Theatre Tokyo holds a media event at which the...
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Nijinsky At The NAC: A Truly Cathartic Encounter Between The Dancer And His Creations
The National Ballet of Canada’s staging of John Neumeier’s Nijinsky, the artist who, by his...
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Men, The Internet, and Politics: “The Believers Are But Brothers” at The Bush Theatre
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
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“And So You See…”: The Irrational Is In The Eye Of The Beholder
It is as if Mozart were able to capture what death sounds like, in those moments when people run...
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The Art Of Ageing Theatre Project
A first glance at the website for “The Art of Ageing” theatre project may lead you to...
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Legacy Of Life: Rimini Protokoll’s “Nachlass: Pièces Sans Personnes”
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
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Can You Hear Me Now? Dramaturgy: Speaking With Many Voices
When describing the role of a dramaturg Dr. Philippa Kelly says this: “I see a dramaturg’s shadow...
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Krystian Lupa’s “The Trial” At Divine Comedy Festival 2017
It is almost impossible to describe the experience of seeing the work of the legendary Polish...
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Sadocapitalism From Berlin: Thomas Ostermeier’s “Returning To Reims”
Best known in the US for the stunning exemplars of the German Regietheater tradition he regularly...
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“I Feel As If I’m Loosing My Leaves:” Translatability Of Theme Through Language In Theatr Genedlaethol Cymru’s Production Of Florian Zeller’s “Y Tad”
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
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“Privacy:” The Impact Of The Digital Revolution On Private Life
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
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Reinterpreting The Tradition: A Contemporary Retelling Of Tang Xianzu’s “The Handan Dream” By The Guangzhou Dramatic Arts Centre
Conceived in 2016 in Guangzhou and previously performed in Beijing and St. Petersburg, the...
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