“Idomeneus”: Digging For Truth In Myth
In the end, it’s all about the story. The story you remember, the story you want to tell,...
Read MorePosted by Laurie Fyffe | 24th Mar 2018 | Canada, Review
In the end, it’s all about the story. The story you remember, the story you want to tell,...
Read MorePosted by KaiChieh Tu | 24th Mar 2018 | Divine Comedy Festival 2017, LGBTQ+ Theatre, Poland, Review, Theatre and Politics
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
Read MorePosted by Ahram Online | 23rd Mar 2018 | Egypt, Festivals, News, Theatre and Disability, United Kingdom
In line with the Downtown Contemporary Arts Festival’s (D-CAF) commitment to addressing the...
Read MorePosted by Madison Parrotta | 23rd Mar 2018 | New York, Review, Theatre and Disability, United States of America
What do you do with a disabled child you can’t emotionally support? While not the biggest question...
Read MorePosted by Christopher Harris | 23rd Mar 2018 | Festivals, Netherlands, Review, Theatre and Opera
If you ask any resident of Amsterdam: “how did the National Opera House look from the...
Read MorePosted by Sara Taylor | 23rd Mar 2018 | News, Participatory Theatre, Poland, Theatre and Disability, Theatre and Politics
The discussions framing social theatre are all too often carried out in the language of public...
Read MorePosted by Nobuko Tanaka | 22nd Mar 2018 | Adaptation, Japan, News, Theatre and Dance
Following a January press conference in which the New National Theatre, Tokyo, announced that...
Read MorePosted by French Culture | 22nd Mar 2018 | Adaptation, France, News, Theatre and Art, Translation
As a young French director visiting New York with his theater troupe, Paul Desveaux hardly...
Read MorePosted by Agata Tumiłowicz-Mazur | 22nd Mar 2018 | Festivals, News, Poland
The famous Polish critic Konstanty Puzyna once mused, “Why the hell even write about theatre if...
Read MorePosted by Aleks Sierz | 22nd Mar 2018 | London, Review, United Kingdom
How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...
Read MorePosted by Aleks Sierz | 21st Mar 2018 | London, Review, Theatre and Politics, United Kingdom
Is it possible to get too much of American politics? With Donald Trump’s daily tweets invading our...
Read MorePosted by Patrick Langston | 21st Mar 2018 | Canada, Review
“I love you” doesn’t slip easily from Daphne’s tongue. But they are words that her grown...
Read MorePosted by Yulia Shamporova | 21st Mar 2018 | Acting, News, Russia
People’s Artist of the USSR, legendary Russian actor and director, Oleg Tabakov died on...
Read MorePosted by Aleks Sierz | 20th Mar 2018 | Adaptation, London, Musical Theatre, Review, United Kingdom
The late Derek Jarman’s 1978 film Jubilee is a punk classic. I think he was in his Fellini phase,...
Read MorePosted by Annamarie Jagose and Lee Wallace | 20th Mar 2018 | Australia, Review, Theatre and Gender
The idea that femininity is a social performance, while masculinity simply sets the coordinates...
Read MorePosted by Stephen Chinna | 20th Mar 2018 | Canada, Review, Theatre and Politics
In The Far Side of the Moon, Philippe and Andre, two estranged brothers, deal with the aftermath...
Read MorePosted by Vikram Phukan | 20th Mar 2018 | Acting, Festivals, India, Review
The Tenkutittu and Badagutittu traditional theatre styles of coastal Karnataka come alive. The...
Read MorePosted by Alan Williams | 19th Mar 2018 | News, United Kingdom
Watching an opera, play, or ballet has become an increasingly cinematic experience. “Livecasting”...
Read MorePosted by Julian Meyrick | 19th Mar 2018 | Adaptation, Australia, Festivals, Review
Arthur Danto, in his Analytic Philosophy of History, calls the common noun “scar” a...
Read MorePosted by Diwan Singh Bajeli | 19th Mar 2018 | Festivals, India, Review
Bharatmuni Rang Utsav saw some moving productions highlighting moral dilemmas and disturbing...
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