Featured Archives - Page 179 of 254

Natasha Marshall’s “Half Breed” at The Soho Theatre

Posted by Aleks Sierz | 12th May 2018 | Acting, London, Review, United Kingdom

In the 2000s one of the many glories of new writing for British stages was the linguistically...

Anthony Neilson’s “The Prudes” at The Royal Court

Posted by Aleks Sierz | 12th May 2018 | London, Review, United Kingdom

Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn’t? But he has made...

The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark

Posted by Kristin Tomecek | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America

The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...

Composer-in-Residence Clint Borzoni

Posted by David Vernon | 11th May 2018 | Interview, LGBTQ+ Theatre, Theatre and Opera, United States of America

Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...

Angels (And Demons) Of History In EgoPo’s “Lydie Breeze” Trilogy

Posted by Jessica Rizzo | 11th May 2018 | Philadelphia, Review, United States of America

Jessica Rizzo sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy...

Electra Takes Revenge into Her Own Hands

Posted by Kee-Yoon Nahm | 11th May 2018 | Adaptation, Review, South Korea

In Han Tae-sook’s Electra (LG Arts Center, April 26–May 5, 2018), the mourning daughter doesn’t...

The Problem Of The Unmarried Woman In “Old, New, Borrowed, Blue”

Posted by Katrina Holden-Buckley | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America

Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...

“Summer: The Donna Summer Musical” – Setting The Record Straight

Posted by The Theatre Times | 10th May 2018 | Musical Theatre, New York, Review, United States of America

As we’ve settled into the 21st century, pop-culture vestiges of the 20th century have fallen by...

“Potong” By Teater Ekamatra: Of Kin And Skin

Posted by Akanksha Raja | 10th May 2018 | Review, Singapore

We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...

A Voice For Peace And Human Values

Posted by Diwan Singh Bajeli | 9th May 2018 | Essay, India, Pakistan, Theatre and Politics

With the passing away of Madeeha Gauhar, the subcontinent has lost a votary of freedom of...

“Gracie” At The GCTC Is A Terrific Theatrical Experience

Posted by Iris Winston | 9th May 2018 | Canada, Review

Gracie By Joan Macleod, directed by Eric Coates A GCTC Production Gracie is like many...

Tagore’s Enduring Political Allegory

Posted by Vikram Phukan | 9th May 2018 | Festivals, India, Review

More than a dozen years after it first opened in Mumbai, as part of a Heisnam Kanhailal...

Backstage Stories From The Mariinsky Theater Told By A Photographer

Posted by Elena Bobrova | 9th May 2018 | Interview, Russia, Theatre and Dance

Mark Olich has been snapping the repetitions and backstage life of the famous theater for many...

Women Dancers In India and UK At A Glance

Posted by Katerina Valdivia Bruch | 8th May 2018 | Essay, India, Theatre and Dance, Theatre and Gender, United Kingdom

Katerina Valdivia Bruch was in India as a bangaloREsident at Natya & STEM Dance Kampni. During...

Compelling Performance And Complex Metaphor In “King Arthur’s Night” Make For Remarkable Theatre (PuSh Festival)

Posted by Jocelyn Pitsch | 8th May 2018 | Canada, Festivals, Review, Theatre and Disability

Vancouver, British Columbia Jocelyn Pitsch reviews King Arthur’s Night, Neworld Theatre’s...

Foster On Aging: Amusing But Often Tasteless

Posted by Iris Winston | 8th May 2018 | Canada, Review, Theatre and Age

Jones And Barry In The Home by Norm Foster; a 3P Productions, Directed by Derek Ritschel As we...

At Carnegie Hall, Tianqi Du Chases After Bach’s Goldberg Variations

Posted by Kathy Tao | 8th May 2018 | New York, Review, Theatre and Opera, United States of America

In the world of piano, J.S. Bach’s Goldberg Variations is a siren’s call. Countless pianists have...

Russian Opera Singer Sets 2 World Records In St. Petersburg

Posted by Russia Beyond | 7th May 2018 | News, Russia, Theatre and Opera

Soprano sang highest ever note by a human, and also the most notes in a single second. On April 11...

The Body Labours Sonorously In Foxconn “Frequency (no. 3)” at The PuSh Festival

Posted by Hayley Malouin | 7th May 2018 | Festivals, Hong Kong, Review

Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no. 3): For Three Visibly Chinese...

“Mayfly” at The Orange Tree Theatre

Posted by Aleks Sierz | 7th May 2018 | London, Review, United Kingdom

The Orange Tree Theatre is a champion of new writing. Under artistic director Paul Miller, the...

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Featured

Natasha Marshall’s “Half Breed” at The Soho Theatre

Anthony Neilson’s “The Prudes” at The Royal Court

The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark

Composer-in-Residence Clint Borzoni

Angels (And Demons) Of History In EgoPo’s “Lydie Breeze” Trilogy

Electra Takes Revenge into Her Own Hands

The Problem Of The Unmarried Woman In “Old, New, Borrowed, Blue”

“Summer: The Donna Summer Musical” – Setting The Record Straight

“Potong” By Teater Ekamatra: Of Kin And Skin

A Voice For Peace And Human Values

“Gracie” At The GCTC Is A Terrific Theatrical Experience

Tagore’s Enduring Political Allegory

Backstage Stories From The Mariinsky Theater Told By A Photographer

Women Dancers In India and UK At A Glance

Compelling Performance And Complex Metaphor In “King Arthur’s Night” Make For Remarkable Theatre (PuSh Festival)

Foster On Aging: Amusing But Often Tasteless

At Carnegie Hall, Tianqi Du Chases After Bach’s Goldberg Variations

Russian Opera Singer Sets 2 World Records In St. Petersburg

The Body Labours Sonorously In Foxconn “Frequency (no. 3)” at The PuSh Festival

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