Psychological Spaces, #Metoo, And “The Crucible:” A Conversation With Set Designer Andrew R. Cohen
The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...
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Featured
“SeagullMachine” – The Assembly Mixes Chekhov and Müller
The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.
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“Ameryka”- Critical Mass And Block Party 2018
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
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Don’t Shoot The Messenger: Elfriede Jelinek’s “Rechnitz” In New York
On March 24, 1945, there was a party in Rechnitz, an Austrian town on the Hungarian border. The...
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Edward Albee’s “Three Tall Women”: A Dissent
My reaction to Edward Albee’s Three Tall Women when it first arrived in New York in 1994 was...
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Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
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“Snake Oil”: A Thought Provoking Show
Snake oil began as a traditional Chinese medicine, particularly effective in easing joint pain....
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Jacob Storms’ “Tennessee Rising”: Remembering Tennessee Williams
Tennessee Rising is a theatre piece that requires yet easily commands your full attention. The...
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“Instructions For Correct Assembly” at The Royal Court: New British Sci-Fi Theatre
There’s a whole universe which British theatre has yet to explore properly—it’s called the sci-fi...
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Bread of Life: Bread and Puppet Theater’s “The Basic Bye Bye Show”
As The Basic Byebye Show comes to an end, a pair of enormous papier mâché angel’s wings protruding...
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Arrows And Traps: A Charming Rendition Of Chekhov’s “Three Sisters”
“To Moscow, to Moscow…” The renowned lament in Anton Chekhov’s Three Sisters still...
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The Wooster Group’s “A Pink Chair” – Can You Ever Return?
The Wooster Group’s newest production, A Pink Chair (In Place of a Fake Antique), was...
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A Genre-Bending Pasifika Collaboration -“The Naked Samoans Do Magic”
The Naked Samoans Do Magic Commissioned by the Auckland Arts Festival and co-produced with The...
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“Fun Home” By The Musical Stage Company As Part Of The Off Mirvish Series
Emotionally moving for its’ superlative vocal work and outstanding individual performances The...
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In Memory: Mikhail Yurievich Ugarov
Note from TTT: Mikhail Ugarov, co-founder of Moscow’s Teatr.doc and a leading figure of the...
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World Theatre Festival Shizuoka 2018: Reaching Out To The World Through Theatre
World Theatre Festival Shizuoka 2018 Shizuoka Performing Arts Center (SPAC) will hold its annual...
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When The Space Is The Protagonist
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
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Global Shakespeare
Voodoo Macbeth? Heir apparent of the Denmark Corporation in Manhattan? A pair of star-crossed...
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Shizuoka Stage Festival Aims To Engage Its Audiences The Old-Fashioned Way
This hasn’t been a great year for social media. Internet addiction has been a hot topic, as...
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“La Cerisaie”: Chekhov’s “Cherry Orchard” With New Secrets
La Cérisaie (The Cherry Tree/The Cherry Orchard) presented by the Belgian company TG STAN (i.e....
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