Featured Archives - Page 160 of 252

“Brick City” Brings A Positive Representation Of Disability To The Stage

Posted by Madison Parrotta | 21st Sep 2018 | Review, Theatre and Disability, United States of America

Nicole Pandolfo’s Brick City was produced in conjunction with NJPAC and the New Jersey Theatre...

“All In A Night” – Forced Entertainment’s Marathon Production

Posted by Jonathan Kalb | 20th Sep 2018 | New York, Review, United Kingdom, United States of America

I lost a night’s sleep recently over Forced Entertainment. I did it on purpose. They were coming...

“Caterpillar” at The Theatre 503

Posted by Aleks Sierz | 20th Sep 2018 | London, Playwriting, Review, United Kingdom

Theatre 503 is a small underfunded fringe venue, but it’s one of the most important nurseries of...

“A Bear” In Wanderlust

Posted by Maria Sikitano | 20th Sep 2018 | Greece, Review, Russian Theatre Abroad

What is it like to get on a bus that does not follow a regular route through the city but remains...

Assam’s Fascinating Theatrical Traditions

Posted by Vikram Phukan | 20th Sep 2018 | Essay, India

It’s a little over a month into mobile theatre season in Assam, and a surplus of professional...

Ottawa Little Theatre’s Two Paws Up For “Sylvia”

Posted by Iris Winston | 19th Sep 2018 | Canada, Review

Sylvia is a cute fantasy about a talking stray dog working her way into the hearts of her new...

“The Virgin Trial” This Virgin Was Born To Rule The Stage

Posted by Laurie Fyffe | 19th Sep 2018 | Canada, Review

Kate Hennig’s The Virgin Trial is a stunner of a play. Hennig’s whip-cracking dialogue, laced with...

The Shaw Festival’s “Henry V”: Does Shakespeare Deserve Such Treatment?

Posted by Jamie Portman | 18th Sep 2018 | Canada, Festivals, Review

NIAGARA-ON-THE-LAKE, Ont.— Nearly a century ago, Winnie-The-Pooh creator A.A. Milne wrote a...

Little Theatre, Great Tragedies

Posted by Katerina Leoudi | 17th Sep 2018 | Festivals, Greece, Review

The Little Theatre of Epidaurus is placed near the port of Palea Epidaurus in the Argolis...

The Park’s New Festival: Light, Sound And Soul Make Art

Posted by Sweta Akundi | 17th Sep 2018 | Essay, Festivals, India, Theatre and Art, Theatre and Science

In its 12th edition, The Park’s New Festival featured art, comedy, music, movement and more. Right...

“The Magic Flute” on Sferisterio from Macerata

Posted by Massimo Malavasi | 17th Sep 2018 | Italy, Review, Theatre and Opera

Sferisterio of Macerata. July 20th 2018 Mozart’s Magic Flute is one of the most famous and...

Dramaturging Performance, Pedagogy, and Protest in Boston, ATHE 2018

Posted by Walter Byongsok Chon | 16th Sep 2018 | Boston, Dramaturgy, Essay, United States of America

Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...

Benedict Cumberbatch Drama School Will Teach Actors How To Voice Podcasts And Audiobooks

Posted by Adam Sherwin | 16th Sep 2018 | Acting, London, News, United Kingdom

LAMDA will offer actors special classes in voicing audiobooks to meet the surge in demand Budding...

“Women Get F*ed”: The Place Of Women In French Theatre

Posted by Andrea Pelegri Kristić | 15th Sep 2018 | Essay, France, Theatre and Gender

In an article from 2014 and published by TheTheatreTimes.com, American playwright, translator, and...

“Oklahoma!” Is Still OK

Posted by Trevor Boffone | 15th Sep 2018 | Musical Theatre, Review, United States of America

I grew up on Oklahoma! Now, I’m not sure how many Millennials can share this feeling, but that was...

“Cloudburst”: The Arrival Of A Bright New Actor On The Ottawa Scene

Posted by Alvina Ruprecht | 14th Sep 2018 | Canada, Review

My colleagues have already expressed their admiration for this production and I can only agree...

“Białoszewski/Ginsberg VR” At Performing Garage

Posted by Jack Wernick | 14th Sep 2018 | New York, Poland, Review, Transmedia, United States of America

Soho’s Performing Garage is the setting of a brief engagement from Poland called...

How “Possessed” Is The Audience?

Posted by Katerina Leoudi | 14th Sep 2018 | Adaptation, Greece, Review

What is expected from theatrical adaptations of literature? Why have they become so popular...

On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis

Posted by Francis Wilker, Giselle Rodrigues, and Glauber Coradesqui | 13th Sep 2018 | Brazil, Essay, Portugal, Transcultural Collaborations

It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...

Review: “The Rocky Horror Show” At The Stratford Festival

Posted by Joe Szekeres | 12th Sep 2018 | Canada, Festivals, LGBTQ+ Theatre, Review

Initially, I wasn’t too sure if I really wanted to see Rocky Horror again as I felt I had seen it...

Featured

“Brick City” Brings A Positive Representation Of Disability To The Stage

“All In A Night” – Forced Entertainment’s Marathon Production

“Caterpillar” at The Theatre 503

“A Bear” In Wanderlust

Assam’s Fascinating Theatrical Traditions

Ottawa Little Theatre’s Two Paws Up For “Sylvia”

“The Virgin Trial” This Virgin Was Born To Rule The Stage

The Shaw Festival’s “Henry V”: Does Shakespeare Deserve Such Treatment?

Little Theatre, Great Tragedies

The Park’s New Festival: Light, Sound And Soul Make Art

“The Magic Flute” on Sferisterio from Macerata

Dramaturging Performance, Pedagogy, and Protest in Boston, ATHE 2018

Benedict Cumberbatch Drama School Will Teach Actors How To Voice Podcasts And Audiobooks

“Women Get F*ed”: The Place Of Women In French Theatre

“Oklahoma!” Is Still OK

“Cloudburst”: The Arrival Of A Bright New Actor On The Ottawa Scene

“Białoszewski/Ginsberg VR” At Performing Garage

How “Possessed” Is The Audience?

On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis

Review: “The Rocky Horror Show” At The Stratford Festival

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