Featured Archives - Page 160 of 254

A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”

Posted by Jane Baldwin | 10th Oct 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America

Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...

Creative Strokes On A Historical Canvas: On Girish Karnad’s New Play “Rakshasa Tangadi”

Posted by Deepa Ganesh | 10th Oct 2018 | India, Interview, Playwriting

Girish Karnad’s new play Rakshasa Tangadi puts the spotlight on Vijayanagar empire. More than his...

“Fierce” Premise Hard To Buy

Posted by Iris Winston | 10th Oct 2018 | Canada, Review

Fierce directed by George Walker. Black Sheep Theatre and Criminal Girlfriends Two women damaged...

Arabic Storytelling In Bahrain’s Theater Festival

Posted by Nora Amin | 10th Oct 2018 | Festivals, Palestine, Review, Theatre and Politics, Transcultural Collaborations

Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...

Speakeasy Succeeds With “Between Riverside And Crazy”

Posted by Jane Baldwin | 9th Oct 2018 | Boston, Review, United States of America

Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...

When Koodiyattam Looks In The Mirror

Posted by Sreevalsan Thiyyadi | 9th Oct 2018 | Acting, Essay, India

Tracing its profile over the last 25 years unveils interesting changes in India’s only ancient...

Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre

Posted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom

It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...

“The Last Five Years”: Poignant Tale Of Failed Marriage

Posted by Iris Winston | 9th Oct 2018 | Canada, Musical Theatre, Review

From the joy of meeting to the unraveling of love and back again, The Last Five Years is a...

“Vastraharan:” Five Thousand And Counting

Posted by Vikram Phukan | 8th Oct 2018 | India, News, Playwriting

Now well into its fourth decade, the rip-roaring Malwani comedy, Vastraharan rolls on. The...

Indigenous Theatre Would Thrive With Funds From The Canadian Government

Posted by Ginny Ratsoy | 8th Oct 2018 | Canada, Essay, Management

The Canadian government’s Department of Canadian Heritage has the opportunity to support a...

Too Close To Home: Stefano Massini’s “Intractable Woman”

Posted by Jonathan Kalb | 7th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America

A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...

How Theatre Training Can Boost Your Doctor’s Empathy

Posted by Hartley Jafine | 7th Oct 2018 | Canada, Essay, Theatre and Science

I teach improvisational theatre to health scientists and trainee doctors. When I tell people this,...

Playful Dogmatism: Milo Rau and Joachim Ben Yakoub in Conversation

Posted by Sébastien Hendrickx | 7th Oct 2018 | Belgium, Interview

Milo Rau and Joachim Ben Yakoub in conversation on the Ghent Manifesto. In May NTGent published...

Hal Coase’s “Mrs. Dalloway” At The Arcola Theatre

Posted by Aleks Sierz | 6th Oct 2018 | Adaptation, London, Review, United Kingdom

Since Virginia Woolf’s Mrs. Dalloway was first published in 1925 its reputation as a brilliant...

Stage Your City: Redundancy Vs Prototyping

Posted by Chris Ziegler | 6th Oct 2018 | Essay, Europe, Transmedia

This is a transcription of the project Stage Your City presentation during the Theatre Digital...

Why Did A Russian Provincial Theater Stage A Version Of Aldous Huxley’s Dystopian Novel?

Posted by Oleg Yegorov | 5th Oct 2018 | Review, Russia, Theatre and Dance

While most regional theaters in Russia cling to traditions and go with old-school classical...

“Hamnet”: A Father/Son Play

Posted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America

Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...

Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion

Posted by Madison Parrotta | 4th Oct 2018 | Chicago, Interview, Theatre and Disability, United Kingdom

Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...

Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz

Posted by Maria Pia Pagani | 4th Oct 2018 | Italy, Poland, Review, Theatre and Opera

The great success of Professor Paolo Bosisio as an opera director in Eastern Europe is confirmed...

Adapting Identities: Freya Treutmann’s “Scratches” And “Evidence Of Codes” In Edinburgh

Posted by Armando Rotondi | 3rd Oct 2018 | Adaptation, Playwriting, Review, Theatre and Art, United Kingdom

The relation between identity and performance is one of the strongest topics in the field of...

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Featured

A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”

Creative Strokes On A Historical Canvas: On Girish Karnad’s New Play “Rakshasa Tangadi”

“Fierce” Premise Hard To Buy

Arabic Storytelling In Bahrain’s Theater Festival

Speakeasy Succeeds With “Between Riverside And Crazy”

When Koodiyattam Looks In The Mirror

Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre

“The Last Five Years”: Poignant Tale Of Failed Marriage

“Vastraharan:” Five Thousand And Counting

Indigenous Theatre Would Thrive With Funds From The Canadian Government

Too Close To Home: Stefano Massini’s “Intractable Woman”

How Theatre Training Can Boost Your Doctor’s Empathy

Playful Dogmatism: Milo Rau and Joachim Ben Yakoub in Conversation

Hal Coase’s “Mrs. Dalloway” At The Arcola Theatre

Stage Your City: Redundancy Vs Prototyping

Why Did A Russian Provincial Theater Stage A Version Of Aldous Huxley’s Dystopian Novel?

“Hamnet”: A Father/Son Play

Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion

Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz

Adapting Identities: Freya Treutmann’s “Scratches” And “Evidence Of Codes” In Edinburgh

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