Transforming The Traditional World Of Kabuki With Kinoshita-Kabuki
For many people, the mention of kabuki brings to mind images of exaggerated makeup on actors’...
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Without Language: Marius Ivaškevičius’s “Exile” at Moscow’s Vl. Mayakovsky Theatre
Pavel Rudnev reviews “Exile” at the Mayakovsky Theatre in Moscow.
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In The Labyrinth Of Surfaces: Performativity, And Visitor Experience In The teamLab Exhibitions
Cutting-edge technology and visual immersion in a flow of digital images have been the focus of...
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Goof Troupe: Little Lord’s “Skinnamarink”
Sport is sometimes defined as a task with arbitrary but necessary constraints. Education is never...
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Mechanical Reproduction: J.B. Priestley’s “An Inspector Calls” directed by Stephen Daldry at ArtsEmerson
In the theatre, it is rare to see a dramatist get second billing to a director. Usually,...
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Nuria Espert Returns To Lorca With “Gypsy Ballads”
2018 was a good year for veteran Spanish actress Nuria Espert. Two years after winning the...
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The Immigrant Dragons–Part II: On The Hunt For The Right Master
For 126 years, the small Australian city of Bendigo has embraced Chinese dragons. This year, their...
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Interview With Director Johanny Bert
Recently, in February, Johanny Bert, Director/actor/puppeteer developed the play She No Princess,...
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On Broadway, “Kiss Me, Kate” Is True To Fashion, For Better Or Worse
Anyone who tells you that Cole Porter’s Kiss Me, Kate isn’t, or can’t be, a kick in the teeth to...
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Complexity Is Beauty: Academy for Digitality and Theatre
Virtual reality, 3D animation, and robotics have long been used by theatre directors in other...
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“For The Love Of , Or, The Roller Derby Play”: Block Party 2019 Off To A Strong Start At The Kirk Douglas
It is Block Party time again at the Center Theatre Group’s Kirk Douglas Theatre in Culver...
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Interview With Debbie Devine: The Missionary Of Arts Education
Debbie Devine is an award-winning theatre director, teacher, and renowned leader in Theater Arts...
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Revolution Is A Necessary Cause, But Impossible Today: Interview with Director Kokan Mladenović
Kokan Mladenović’s name is well known both within and outside the theatre: he is the director who...
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Stéphanie Turple’s “Un-Countried”: How Regimes And Mindsets Change
Un-Countried, written by Stéphanie Turple, and directed by Kevin Orr shows what happens when a...
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“Skinnamarink” at Next Door at NYTW
Skinnamarink is a deliriously diverting new production by Little Lord, a performance ensemble that...
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Christina Ham Talks The Blues And Black Women With Dominic-Madori Davis
Strange Fruit They were pronounced dead on the scene. Sunday morning, September 15th, 1968,...
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Ravi Jain’s “Prince Hamlet” Breathes New Life Into The Bard
Just when you thought no one could possibly find a fresh interpretation of Hamlet, along come...
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The Presence Of Others In A World Without Boundaries: An Interview With teamLab
teamLab, founded by Toshiyuki Inoko and several of his friends in 2001, is an art collective, an...
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Yngvild Aspeli’s “Ashes”: Puppets That Haunt And Kindle
When does desire give way to fixation, compulsion, addiction? In Yngvild Aspeli’s exquisite show...
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Ödön von Horváth’s “Tales From Vienna Woods,” Directed by Yana Ross
Directed by Yana Ross. Lithuanian State Youth Theatre, Vilnius, Lithuania. March 4, 2019. Tales...
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