Interview Archives - Page 28 of 38

They Left Off Getting Carried Away: An Interview With Cássio Diniz Santiago And Till Wyler Von Ballmoos

Posted by Cássio Diniz Santiago and Till Wyler von Ballmoos | 10th Jun 2018 | Germany, Interview

Each day at 6 pm, performers Till Wyler von Ballmoos and Cássio Diniz Santiago opened the doors to...

ATIA Guest Blog: Translating For Theatre As Performative Translation: Interview With Dr. Stefano Muneroni

Posted by Giorgia Severini | 7th Jun 2018 | Canada, Interview, Translation

Translating a play for the stage may often be considered a form of literary translation, but it is...

The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring

Posted by Carmen Kovacs | 5th Jun 2018 | Dramaturgy, Germany, Interview, Theatre and Disability, Theatre and Opera

Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...

“The Girl On The Train” Onstage: “We Wanted It To Have The Pace Of A Train Out Of Control”

Posted by Holly Williams | 4th Jun 2018 | Adaptation, Interview, United Kingdom

So what attracted you to the multimillion-selling novel The Girl On The Train? That could be my...

A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets

Posted by Kate Youde | 3rd Jun 2018 | Design, Interview, United Kingdom

“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...

When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano

Posted by Trevor Boffone | 2nd Jun 2018 | Interview, New York, Playwriting, United States of America

New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...

Playwright Puts Gay Divorce In The Spotlight: Conversation with Ken Urban

Posted by The Theatre Times | 29th May 2018 | Interview, LGBTQ+ Theatre, Playwriting, United States of America

Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...

Elizaveta Boyarskaya: Acting And Directing Is More Than A Job—It Is A Mission

Posted by Irene Kukota | 29th May 2018 | Acting, Directing, Interview, Russia, Russian Theatre Abroad, Translation

Following the premiere of Vassily Grossman’s Life And Fate at the Theatre Royal Haymarket on May...

“Diversity Is Not A Policy, It’s Life.” Giles Terera On “Hamilton” And The Future Of Diversity In London Theater

Posted by Jessica Barrett | 28th May 2018 | Interview, London, Musical Theatre, United Kingdom

Giles Terera has won armies of fans and an Olivier award for his performance as Aaron Burr in the...

Sergey Kuryshev: This Means Figuring Out Our Life And Presenting It On The Basis Of The Classic Text

Posted by Irene Kukota | 24th May 2018 | Acting, Interview, London, Russia, Russian Theatre Abroad, United Kingdom

Tonight is the opening night of Uncle Vanya at the Theatre Royal Haymarket, In anticipation of the...

Following The #MeToo Movement In Korean Theatre

Posted by Kee-Yoon Nahm | 20th May 2018 | Interview, South Korea, Theatre and Gender, Theatre and Politics

In the past few months, the Korean theatre scene has been under intense public scrutiny as...

Bonnie Marranca: “It’s Up To Every New Generation To Create Its Own Institutions, Critical Discourses, And Working Methods.”

Posted by Cristina Modreanu | 14th May 2018 | Interview, New York, Romania, United States of America

Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...

How Immersive Theater Makes You Look At Yourself In A New Light

Posted by Yulia Shamporova | 13th May 2018 | Immersive Theatre, Interview, Russia

Immersive performances are something relatively new for theater-goers around the globe. What are...

Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”

Posted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America

Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....

Composer-in-Residence Clint Borzoni

Posted by David Vernon | 11th May 2018 | Interview, LGBTQ+ Theatre, Theatre and Opera, United States of America

Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...

Backstage Stories From The Mariinsky Theater Told By A Photographer

Posted by Elena Bobrova | 9th May 2018 | Interview, Russia, Theatre and Dance

Mark Olich has been snapping the repetitions and backstage life of the famous theater for many...

Psychological Spaces, #Metoo, And “The Crucible:” A Conversation With Set Designer Andrew R. Cohen

Posted by Michael Schweikardt | 6th May 2018 | Design, Interview, United States of America

The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...

Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”

Posted by Álvaro Vicente | 3rd May 2018 | Interview, Playwriting, Spain, Transcultural Collaborations, Uruguay

The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...

When The Space Is The Protagonist

Posted by Ágnes Bakk | 28th Apr 2018 | Design, Germany, Interview

Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...

Jacob Storms And “Tennessee Rising”

Posted by David Vernon | 24th Apr 2018 | Devised Theatre, Festivals, Interview, New York, United States of America

Jacob Storms is the recipient of the 2017 United Solo Award for Best One-Man Show after he...

Interview

They Left Off Getting Carried Away: An Interview With Cássio Diniz Santiago And Till Wyler Von Ballmoos

ATIA Guest Blog: Translating For Theatre As Performative Translation: Interview With Dr. Stefano Muneroni

The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring

“The Girl On The Train” Onstage: “We Wanted It To Have The Pace Of A Train Out Of Control”

A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets

When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano

Playwright Puts Gay Divorce In The Spotlight: Conversation with Ken Urban

Elizaveta Boyarskaya: Acting And Directing Is More Than A Job—It Is A Mission

“Diversity Is Not A Policy, It’s Life.” Giles Terera On “Hamilton” And The Future Of Diversity In London Theater

Sergey Kuryshev: This Means Figuring Out Our Life And Presenting It On The Basis Of The Classic Text

Following The #MeToo Movement In Korean Theatre

Bonnie Marranca: “It’s Up To Every New Generation To Create Its Own Institutions, Critical Discourses, And Working Methods.”

How Immersive Theater Makes You Look At Yourself In A New Light

Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”

Composer-in-Residence Clint Borzoni

Backstage Stories From The Mariinsky Theater Told By A Photographer

Psychological Spaces, #Metoo, And “The Crucible:” A Conversation With Set Designer Andrew R. Cohen

Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”

When The Space Is The Protagonist

Jacob Storms And “Tennessee Rising”

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