ATIA Guest Blog: Translating For Theatre As Performative Translation: Interview With Dr. Stefano Muneroni
Translating a play for the stage may often be considered a form of literary translation, but it is...
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Interview
The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
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“The Girl On The Train” Onstage: “We Wanted It To Have The Pace Of A Train Out Of Control”
So what attracted you to the multimillion-selling novel The Girl On The Train? That could be my...
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A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets
“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...
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When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano
New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...
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Playwright Puts Gay Divorce In The Spotlight: Conversation with Ken Urban
Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...
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Elizaveta Boyarskaya: Acting And Directing Is More Than A Job—It Is A Mission
Following the premiere of Vassily Grossman’s Life And Fate at the Theatre Royal Haymarket on May...
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“Diversity Is Not A Policy, It’s Life.” Giles Terera On “Hamilton” And The Future Of Diversity In London Theater
Giles Terera has won armies of fans and an Olivier award for his performance as Aaron Burr in the...
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Sergey Kuryshev: This Means Figuring Out Our Life And Presenting It On The Basis Of The Classic Text
Tonight is the opening night of Uncle Vanya at the Theatre Royal Haymarket, In anticipation of the...
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Following The #MeToo Movement In Korean Theatre
In the past few months, the Korean theatre scene has been under intense public scrutiny as...
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Bonnie Marranca: “It’s Up To Every New Generation To Create Its Own Institutions, Critical Discourses, And Working Methods.”
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
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How Immersive Theater Makes You Look At Yourself In A New Light
Immersive performances are something relatively new for theater-goers around the globe. What are...
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Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
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Composer-in-Residence Clint Borzoni
Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...
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Backstage Stories From The Mariinsky Theater Told By A Photographer
Mark Olich has been snapping the repetitions and backstage life of the famous theater for many...
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Psychological Spaces, #Metoo, And “The Crucible:” A Conversation With Set Designer Andrew R. Cohen
The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...
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Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
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When The Space Is The Protagonist
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
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Jacob Storms And “Tennessee Rising”
Jacob Storms is the recipient of the 2017 United Solo Award for Best One-Man Show after he...
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“Ballyturk” Delivers A Surreal Yet Exciting Challenge
When Akira Shirai first read the script for Ballyturk, he quickly understood why its creator,...
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