Ellen Pearlman: Brain Opera, Telematic Performance, And Decoding Dreams
Ellen Pearlman is a New York based media artist, curator, writer, critic, and educator. She holds...
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Interview
“A War To End All Wars”: A Memorial Performance
How do you conceptualize a memorial that embodies the enormity of a contingency such as World War...
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Artistic Collaborations In Southeast Asia–Current Gaps And What’s Next For Producers
Intercultural Interlocutors: Tay Tong and Faith Tan, Part III *This is part 3 of a 3 part...
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PLAYtime! Is Serious Business
Young Artist Award recipient Ian Loy has carved himself a niche in the Singapore arts scene...
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Pushing Early Regional Exchanges And Responding To Artists’ Needs
Intercultural Interlocutors: Tay Tong and Faith Tan, Part II *This is part 2 of a 3 part article. ...
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A Producer’s Life–Catalysing Exchanges And Supporting Art-Making In Southeast Asia
Intercultural Interlocutors: Tay Tong and Faith Tan, Part I *This is part 1 of a 3 part article. ...
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Sunandha Raghunathan’s “Bad Hindu” Is Caught Between Two Worlds
“I still remember, I was down with chicken pox and my mom would tell me stories. But, The...
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Suzanne Foellmer: Choreography As A Form Of Protest
Politically motivated flash mobs and performances react to current questions of society with...
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Less Is More Or Less Is Less: The Balancing Act Of Designing Big Musicals In Small Spaces
Joe Klug is a gifted scenic designer who has a passion for reimagining musicals, particularly in...
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Interview With Clara Fernandez-Vara: “Your Spectator Is Also Your Player”
Clara Fernandez-Vara is an Associate Arts Professor at New York University. Her background is in...
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Invertigo Dance Theatre Company: A Conversation With Laura Karlin And Sofia Klass
Invertigo Dance Theatre is a provocative and passionate dance company based in Los Angeles. Laura...
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An Interview With Playwright Alexis Roblan
Alexis Roblan graduated from the University of Southern California’s MFA in Dramatic Writing...
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It’s Ella Hickson’s Moment (Of Honesty)
How her truth split critics and why she doesn’t really care Ella Hickson stopped worrying...
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Recalling Redfeather: Weaving Through History With Jani Lauzon And Marjorie Chan
Note: Robyn Grant-Moran interviews I Call Myself Princess playwright Jane Lauzon and director...
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“We Always Depend On Other People”–Dramaturg Stefan Bläske On His Process Of “Five Easy Pieces” With Milo Rau
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...
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Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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“Art Doesn’t Exist To Be Liked” An Interview With Russian Stage Director, Timofey Kulyabin
Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
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Who Is Theater Maker Ellenor Riley-Condit?
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
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“Hurricane — The Life Of Tian Han” Tells The Story Of The Father Of Contemporary Chinese Theater
There has always been a considerable amount of cultural exchange between China and Japan, but...
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Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
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