Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
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Interview
Between Panoramas And VR: What Does It Mean To Be Immersed?
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
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“The Actor’s Life for Me:” A Conversation With David Greenspan
David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...
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Jess Thom On Touretteshero’s Production Of Beckett’s “Not I”: Mouth as a Disabled Character
Following excellent reviews from a run of Samuel Beckett’s Not I in Edinburgh last summer...
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Interview With The Art Director Of MICET Interactive Theatre Museum In Kraków
Walking into the old basement of the legendary Old Theatre (Stary Teatr) in Krakow, you soon realize nothing is old here. MICET, the new interactive theatre museum, which opened just about a year ago, completely transforms the theatre’s dark, moldy basement into one of the most cutting-edge museum/installation/performance spaces in Europe.
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Going Places Interview With Lauren Clancy, The New Executive Director of The Bush Theatre
Lauren Clancy, the new Executive Director of the Bush Theatre, talks to us about her first few...
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I Wanted To Remove The Language Of Gender: Hindi Adaptation of Lorca’s “Yerma”
Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...
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The Performative Essay “(De)signing Time”: Essay in Motion
The Serbian choreographer, performance artist, and stage director Milos Sofrenovic has been at...
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Dance As A Language, Exhaustion As A Therapy
… when no one is willing to listen, no one you could tell, no one you could talk it over with to...
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The Thumbnail Sketch Series: Sean Fanning and the Courage to Remain Incomplete
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
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Chiaki Soma puts on a Not-So-Common Theater Festival
In the world of Japanese contemporary drama, the action often takes place offstage as well as on....
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Amit Sharma Of Graeae Theatre On Staging A Production With A Hundred Disabled Artists In Chennai
It’s an incredibly hot day for February, and as I look across the vast grounds of Lady Willingdon...
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The Thumbnail Sketch Series: Paige Hathaway And The Impulse For Scenic Design
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
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Attempts at Self-Surprise: An interview with Ene-Liis Semper, the Artistic Director of Theatre NO99
Theatre NO99 is a theatre in Tallinn, Estonia with a troupe of 10 actors at the centre of it, lead...
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The Importance Of Documenting And Archiving The Performing Arts
Chloe Chotrani is a movement artist and writer based in Singapore. She has set up the performing...
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“Pollock” A Play By Fabrice Melquiot: Conversation with French Director Paul Desveaux
A production from Compagnie L’Héliotrope, and co-presented by the Cultural Services of the...
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Dance Dramaturgy and The Art That Moves: Lim How Ngean
Art that Moves is an occasional series where we ask artists and other creative workers to reflect...
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Can You Hear Me Now? Dramaturgy: Speaking With Many Voices
When describing the role of a dramaturg Dr. Philippa Kelly says this: “I see a dramaturg’s shadow...
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A Look Back at the Asian Intercultural Conference 2017: Interview with T. Sasitharan
As part of the media partnership with Intercultural Theatre Institute (ITI), culture360 has...
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Interview With Rob Rokicki, Composer And Lyricist Of “The Lightning Thief”
Rob Rokicki is a Drama Desk, Lortel, and Off-Broadway alliance-nominated composer/lyricist. His...
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