Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by Colin Hambrook | 11th Aug 2018 | Essay, Immersive Theatre, LGBTQ+ Theatre, Participatory Theatre, Theatre and Disability, Transmedia, United Kingdom
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by Tony McCaffrey | 4th Aug 2018 | Australia, Essay, Theatre and Disability
Over the last 20 years, the development of technology in performance has made us question what is...
Read MorePosted by Philip Auslander | 4th Aug 2018 | Acting, Essay, Transmedia
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
Read MorePosted by Gillian Arrighi | 2nd Aug 2018 | Australia, Essay
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
Read MorePosted by Edmond Couchot | 1st Aug 2018 | Essay, Participatory Theatre, Transmedia
Artists in the performing and theatrical arts currently have access to technology of an...
Read MorePosted by Andrew Westle and Jordan Beth Vincent | 27th Jul 2018 | Australia, Essay, Theatre and Dance, Theatre and Gender
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
Read MorePosted by Corrie Scott | 25th Jul 2018 | Canada, Essay, Theatre and Politics
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
Read MorePosted by Nobuko Tanaka | 25th Jul 2018 | Essay, Japan
Based in mountainous Oita Prefecture in northeastern Kyushu, the privately owned and run Drum Tao...
Read MorePosted by Maria João Guardão | 22nd Jul 2018 | Essay, Portugal
Aside from public funding, the main funder of contemporary performing arts in Portugal is the...
Read MorePosted by Maria João Guardão | 21st Jul 2018 | Essay, Portugal
A recent publication on Portuguese theatre summons up politics, experimentalism, and utopia as...
Read MorePosted by Akarsh Khurana | 18th Jul 2018 | Acting, Essay, India
Traveling with the troupe results in fun stories. And sometimes in marriage. Last month I attended...
Read MorePosted by Julian Meyrick | 18th Jul 2018 | Australia, Essay, Playwriting
In our Great Australian Plays series, we nominate the best of Australian drama. There is no single...
Read MorePosted by Maria João Guardão | 17th Jul 2018 | Essay, Portugal
Following European trends and funding, there’s been a move towards state and local governments...
Read MorePosted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
Read MorePosted by Simon Callow | 15th Jul 2018 | Books, Essay, Playwriting, United Kingdom
Peggy Ramsay (1908-1991) was the foremost play agent of her time. Her list of clients shows her to...
Read MorePosted by Andreea S. Calude, Laura Haughey, and Kellye Bensley | 15th Jul 2018 | Essay, New Zealand, Theatre and Disability
Would you go and see a bilingual or multilingual show if you only spoke one of the languages...
Read MorePosted by Maria João Guardão | 14th Jul 2018 | Essay, Participatory Theatre, Portugal
This is Part 2 of a 2 part article. Read Part 1 here. The contemporary performing arts scene As...
Read MorePosted by Maria João Guardão | 7th Jul 2018 | Essay, Portugal
The last IETM plenary meeting in Portugal took place in Lisbon in 1998, with the city at the...
Read MorePosted by Yulia Shamporova | 4th Jul 2018 | Acting, Essay, Russia
Though Mayakovsky turns 125 this year, his words continue to resonate with our lives today....
Read MorePosted by Alice Jones | 3rd Jul 2018 | Essay, London, Theatre and Gender, United Kingdom
I went to see Flight Of The Conchords this week. The New Zealand musical comedy duo flaunted their...
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