“Hopefully We Can Collaborate Soon” – On Reciprocity Between Artists and Curators
Veridiana Zurita pleads for more reciprocity between artists and curators. The relationship...
Read MorePosted by Veridiana Zurita | 2nd Jul 2018 | Essay, France, Theatre and Politics
Veridiana Zurita pleads for more reciprocity between artists and curators. The relationship...
Read MorePosted by Géraldine D. Enjelvin | 1st Jul 2018 | Essay, Japan, Theatre and Art, Transcultural Collaborations
In a world where technological advancement seems to be at the forefront of almost everything, it...
Read MorePosted by Elena Mygashko | 24th Jun 2018 | Essay, Management, Ukraine
The theatre landscape in Ukraine is diverse and contradictory. Presently, there are more than 120...
Read MorePosted by Hilary Halba | 21st Jun 2018 | Acting, Essay, New Zealand, United States of America
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
Read MorePosted by Julian Meyrick | 19th Jun 2018 | Australia, Essay, Playwriting
In our Great Australian Plays series, we nominate the best of Australian drama. If Australian...
Read MorePosted by Simon Smith | 17th Jun 2018 | Dramaturgy, Essay, United Kingdom
Today we fully expect film, television, and theatre to use music to shape meaning. The screeching...
Read MorePosted by Milos Sofrenovic and Vinicius Jatobá | 17th Jun 2018 | Devised Theatre, Essay, France
The latest performance of the series The Politics of Movement: On Reinterpretation of Power by...
Read MorePosted by Sebastian Kann | 11th Jun 2018 | Belgium, Essay, Management
This is the third letter in a cycle of Open Letters To The Circus. This letter is written in the...
Read MorePosted by Letizia Fusini | 8th Jun 2018 | China, Essay, Playwriting
The place of dramatic tragedy in the twentieth century was one of extreme ambiguity and...
Read MorePosted by Davide Cioffrese | 8th Jun 2018 | Acting, Essay, Italy
It is not easy to approach a work such as Giorgio Strehler’s Arlecchino Servitore Di Due...
Read MorePosted by Amber Massie-Blomfield | 3rd Jun 2018 | Essay, United Kingdom
I have seen performances in a theatre-on-wheels, an old Welsh steelworks, and a Victorian...
Read MorePosted by Billy Potts | 31st May 2018 | Australia, Essay, Hong Kong, Transcultural Collaborations
It’s a cool January afternoon at a bus terminal at Yuen Long station. A blue minivan pulls up....
Read MorePosted by Valdas Vasiliauskas | 27th May 2018 | Directing, Essay, Lithuania, Playwriting
Eimuntas Nekrošius and Lithuania’s Youth Theatre May 2018 marks thirty years since an event of...
Read MorePosted by Emiliia Dementsova | 25th May 2018 | Adaptation, Essay, Russia, Russian Theatre - Featured
It is impossible to put it in writing, but to record the horror of the thing here is a black cross...
Read MorePosted by Oliver Bennett | 22nd May 2018 | Essay, Russia, Theatre and Politics
Despite being a revolutionary and futuristic masterpiece by Mayakovsky, Meyerhold, and Malevich,...
Read MorePosted by Letizia Fusini | 20th May 2018 | Acting, China, Essay
The German playwright and drama theorist Bertolt Brecht (1898-1956) is particularly famous for...
Read MorePosted by Ali Pour Issa | 19th May 2018 | Essay, Seattle, United States of America
When one wants to begin a career in theatre professionally, what tactic could they use? As an...
Read MorePosted by Cristina Modreanu | 18th May 2018 | Essay, Immersive Theatre, Romania
The very moment I step into the building, great expectations surround me. If a measuring device...
Read MorePosted by Diwan Singh Bajeli | 9th May 2018 | Essay, India, Pakistan, Theatre and Politics
With the passing away of Madeeha Gauhar, the subcontinent has lost a votary of freedom of...
Read MorePosted by Katerina Valdivia Bruch | 8th May 2018 | Essay, India, Theatre and Dance, Theatre and Gender, United Kingdom
Katerina Valdivia Bruch was in India as a bangaloREsident at Natya & STEM Dance Kampni. During...
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