“Women Get F*ed”: The Place Of Women In French Theatre
In an article from 2014 and published by TheTheatreTimes.com, American playwright, translator, and...
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Essay
On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
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The Big Bang Theory
Start-ups Infinite Engineers and Vaayusastra jazz up science education with all the pizzazz of...
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Temperament And Innovation: The Performing Arts In A Devolved Wales
If Wales is known throughout the world it is most likely for its singing. The Welsh have often...
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Oskar Schlemmer: Why A Google Doodle Is Marking The German Artist Today
One of the foremost figures in the influential Bauhaus movement, Oskar Schlemmer gained...
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Doing Is Saying
Faced with new staging mechanisms, the actor must develop new strategies, which must lead to...
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Between Body And Object
At the core of my oeuvre and of my artistic practice is the fact that you are not allowed to...
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The Relationship Between Body And Screen In Studio Azzurro’s Performances Since The 1980s Until Today
Studio Azzurro is an Italian group that has been working with different performative languages...
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Shakespeare In The Park’s “Julius Caesar”: I Am She
The Singapore Repertory Theatre (SRT) Shakespeare In The Park returns to Fort Canning Green, after...
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“Angels in Suits” – The Operas of George Benjamin & Martin Crimp
The dramaturgy of love’s intertwining with violence has been a recurring theme in the...
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“OCD Love” by L-E-V Dance Company: Mental Illness Plus Dance Equals Ballet and Horror
L-E-V Dance company’s OCD Love is tightly choreographed and intense in its physicality, as might...
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“A Dream Under the Southern Bough – The Beginning”: Kun Opera for the Millennial Stage
A Festival Commission for the Singapore International Festival of Arts (SIFA) 2018, Toy Factory’s...
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Moi Qui Parle A Moi-Même Dans Le Numérique Auditory Alienation And Liberation For The Intermedial Performer
With backgrounds in performance and sound design, we were interested in investigating how the...
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Body As Medium. Between Theory And Technology Of Theatre
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
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Playing Nazim Hikmet, Always Fresh And Relevant
Turkish poet, playwright, and novelist Nazim Hikmet spent a life in exile condemning fascism, its...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Technology And Disability Performance: Our Shifting Perspectives.
Over the last 20 years, the development of technology in performance has made us question what is...
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Film Acting And Performance Capture: The Index In Crisis
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
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From Child Stars To Lost Theatres: Capturing Australia’s Ephemeral History Of Live Performance
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
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Automatism, Autonomy, And Aesthetics In Performing Arts
Artists in the performing and theatrical arts currently have access to technology of an...
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