Problems With Gender Equality In Australia’s Dance Industry
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
Read MorePosted by Andrew Westle and Jordan Beth Vincent | 27th Jul 2018 | Australia, Essay, Theatre and Dance, Theatre and Gender
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
Read MorePosted by Corrie Scott | 25th Jul 2018 | Canada, Essay, Theatre and Politics
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
Read MorePosted by Nobuko Tanaka | 25th Jul 2018 | Essay, Japan
Based in mountainous Oita Prefecture in northeastern Kyushu, the privately owned and run Drum Tao...
Read MorePosted by Maria João Guardão | 22nd Jul 2018 | Essay, Portugal
Aside from public funding, the main funder of contemporary performing arts in Portugal is the...
Read MorePosted by Maria João Guardão | 21st Jul 2018 | Essay, Portugal
A recent publication on Portuguese theatre summons up politics, experimentalism, and utopia as...
Read MorePosted by Akarsh Khurana | 18th Jul 2018 | Acting, Essay, India
Traveling with the troupe results in fun stories. And sometimes in marriage. Last month I attended...
Read MorePosted by Julian Meyrick | 18th Jul 2018 | Australia, Essay, Playwriting
In our Great Australian Plays series, we nominate the best of Australian drama. There is no single...
Read MorePosted by Maria João Guardão | 17th Jul 2018 | Essay, Portugal
Following European trends and funding, there’s been a move towards state and local governments...
Read MorePosted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
Read MorePosted by Simon Callow | 15th Jul 2018 | Books, Essay, Playwriting, United Kingdom
Peggy Ramsay (1908-1991) was the foremost play agent of her time. Her list of clients shows her to...
Read MorePosted by Andreea S. Calude, Laura Haughey, and Kellye Bensley | 15th Jul 2018 | Essay, New Zealand, Theatre and Disability
Would you go and see a bilingual or multilingual show if you only spoke one of the languages...
Read MorePosted by Maria João Guardão | 14th Jul 2018 | Essay, Participatory Theatre, Portugal
This is Part 2 of a 2 part article. Read Part 1 here. The contemporary performing arts scene As...
Read MorePosted by Maria João Guardão | 7th Jul 2018 | Essay, Portugal
The last IETM plenary meeting in Portugal took place in Lisbon in 1998, with the city at the...
Read MorePosted by Yulia Shamporova | 4th Jul 2018 | Acting, Essay, Russia
Though Mayakovsky turns 125 this year, his words continue to resonate with our lives today....
Read MorePosted by Alice Jones | 3rd Jul 2018 | Essay, London, Theatre and Gender, United Kingdom
I went to see Flight Of The Conchords this week. The New Zealand musical comedy duo flaunted their...
Read MorePosted by Veridiana Zurita | 2nd Jul 2018 | Essay, France, Theatre and Politics
Veridiana Zurita pleads for more reciprocity between artists and curators. The relationship...
Read MorePosted by Géraldine D. Enjelvin | 1st Jul 2018 | Essay, Japan, Theatre and Art, Transcultural Collaborations
In a world where technological advancement seems to be at the forefront of almost everything, it...
Read MorePosted by Elena Mygashko | 24th Jun 2018 | Essay, Management, Ukraine
The theatre landscape in Ukraine is diverse and contradictory. Presently, there are more than 120...
Read MorePosted by Hilary Halba | 21st Jun 2018 | Acting, Essay, New Zealand, United States of America
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
Read MorePosted by Julian Meyrick | 19th Jun 2018 | Australia, Essay, Playwriting
In our Great Australian Plays series, we nominate the best of Australian drama. If Australian...
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