Capitalizing on the Pull of Experimental Japanese Theatre
Shuntaro Matsubara’s first contact with live theatre was in 2014, when he saw a production of...
Read MorePosted by Nobuko Tanaka | 21st Dec 2019 | Directing, Japan, News
Shuntaro Matsubara’s first contact with live theatre was in 2014, when he saw a production of...
Read MorePosted by Duška Radosavljević | 21st Dec 2019 | Review, Theatre and Gender, United Kingdom
Lucy McCormick specializes in historical re-enactments, she tells us, and she is here to play all...
Read MorePosted by Julian De Medeiros | 20th Dec 2019 | London, Musical Theatre, Review, United Kingdom
Amanda Palmer has not come to entertain. Instead, she has written and designed what feels like an...
Read MorePosted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance
Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...
Read MorePosted by Mert Dilek | 19th Dec 2019 | London, Review, United Kingdom
It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This...
Read MorePosted by Ella Parry-Davies | 19th Dec 2019 | Immersive Theatre, Lebanon, News, Theatre and Politics, Transmedia, United Kingdom
I’m not apologizing: this is going to take time. Visit a website. Choose an image: of a bag of...
Read MorePosted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom
How far can bodily interaction amongst the audience members, with performance objects, and with...
Read MorePosted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
Read MorePosted by Madeline Engelsman | 18th Dec 2019 | Directing, Interview, United States of America
Amanda Levie is the founder and director of No Peeking Theatre, Jersey City-based theatre company,...
Read MorePosted by Krishna Sripada | 17th Dec 2019 | India, Review
The play My Father – His Exalted Highness was a nuanced depiction of the concerns of a ruler...
Read MorePosted by Patrick Langston | 17th Dec 2019 | Acting, Canada, Review
“We are women who do what must be done” so says the cigarette-puffing, mahjong-addicted...
Read MorePosted by Sheetala Bhat | 16th Dec 2019 | Canada, Review, Theatre and Decolonization, Theatre and Politics
Almighty Voice and his Wife, a play written by Daniel David Moses in 1991, was recently staged in...
Read MorePosted by Ariadne Mikou | 16th Dec 2019 | Italy, Review, Theatre and Dance
Artists from three different and fairly distant parts of the world — Australia, Brazil and...
Read MorePosted by Wendy Arons | 16th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Reader, if – like me – you’re a relatively recent transplant to Pittsburgh, the presence of the...
Read MorePosted by Vikram Phukan | 15th Dec 2019 | Festivals, India, Review
An emerging sidelight at the annual Prithvi Theatre Festival is its selection of fringe offerings...
Read MorePosted by Abigail Weil | 15th Dec 2019 | New York, Participatory Theatre, Review, Theatre and Age, Transmedia, United States of America
I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...
Read MorePosted by Mert Dilek | 15th Dec 2019 | London, Review, Theatre and Gender, United Kingdom
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
Read MorePosted by Aida Rocci | 15th Dec 2019 | Immersive Theatre, London, Participatory Theatre, United Kingdom
I’m crouching along with a group of strangers, waiting for Anna to arrive. I have never met Anna...
Read MorePosted by Holly Rosen Fink | 14th Dec 2019 | Acting, Interview, New York, United States of America
If you’re a culture vulture and are interested in TV and theater, most likely, you know a...
Read MorePosted by Maria Delgado | 14th Dec 2019 | Argentina, Review, Theatre and Politics
Alfredo Arias has been based in France for many decades now, but he is an increasingly frequent...
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