“Cloud 9:” A 1979 British Take on Power and Gender
When I first read Cloud 9 by Caryl Churchill ten years ago as a theatre undergrad, I was struck...
Read MorePosted by Rem Myers | 24th Jun 2019 | Boston, Review, Theatre and Gender, United States of America
When I first read Cloud 9 by Caryl Churchill ten years ago as a theatre undergrad, I was struck...
Read MorePosted by The Theatre Times | 23rd Jun 2019 | Festivals, News
TheTheatreTimes.com launches Performap.com, an Interactive Digital Map of Global Theatre...
Read MorePosted by Simon Mellor | 23rd Jun 2019 | Management, News, United Kingdom
Arts Council England is the investment, development and advocacy agency for the arts, museums, and...
Read MorePosted by Mert Dilek | 22nd Jun 2019 | London, Review, Theatre and Science, United Kingdom
Dramatic representations of ennui often have an important decision to make at the onset of their...
Read MorePosted by Duška Radosavljević | 22nd Jun 2019 | Review, Russia, Russian Theatre - Featured, Russian Theatre Abroad, United Kingdom
Three Sisters was the last play Chekhov wrote in 1900, in his dacha in Yalta, and in the final...
Read MorePosted by Abigail Weil | 22nd Jun 2019 | Czech Republic, Festivals, Prague Quadrennial 2019, Review
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
Read MorePosted by Dick van Dijk | 21st Jun 2019 | Germany, News, Theatre and Science, Transmedia
Technology is pervasive in today’s society. Code = culture. Algorithms define our way of life. In...
Read MorePosted by Aleks Sierz | 21st Jun 2019 | London, Review, United Kingdom
I’ve always been a bit sad that so many contemporary classics are so rarely revived. I have even...
Read MorePosted by Erin B. Mee | 21st Jun 2019 | Festivals, Immersive Theatre, Italy, Napoli Teatro Festival 2019, Participatory Theatre, Review
Most writing on site-specific, immersive, and interactive theatre focuses on productions in...
Read MorePosted by Abigail Weil | 21st Jun 2019 | Czech Republic, News, Prague Quadrennial 2019, Puppetry, Theatre for Young Audiences
On the final day of the Prague Quadrennial, I decided to explore the roots of the Czech theatre...
Read MorePosted by Rem Myers | 20th Jun 2019 | Adaptation, Boston, Review, United States of America
After an inaugural season of staged readings last year, this season, The Front Porch Arts...
Read MorePosted by Erin B. Mee | 20th Jun 2019 | Festivals, Italy, Napoli Teatro Festival 2019, Review
What do Napoli, Avignon, and Edinburgh have in common? They host world-class international theatre...
Read MorePosted by Abigail Weil | 20th Jun 2019 | Adaptation, Czech Republic, Festivals, Prague Quadrennial 2019, Theatre and Film, Transmedia
I didn’t know what to expect from the Telekinetic Assault Group. The name was aggressive and the...
Read MorePosted by Mert Dilek | 20th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Many a dramatist has imagined what happens to Nora after she slams the door at the end of Ibsen’s...
Read MorePosted by Ryan Pepper | 20th Jun 2019 | Canada, Ottawa Fringe 2019, Review
Stick or Wizard? is an old-school theatre clown show that brings the audience onto the stage for...
Read MorePosted by Rem Myers | 20th Jun 2019 | Adaptation, Boston, Review, United States of America
Pride and Prejudice, presented by the Actors’ Shakespeare Project and performed at the Balch Arena...
Read MorePosted by Rem Myers | 19th Jun 2019 | Boston, Review, United States of America
Barefoot in the Park, by Neil Simon, now playing at Gloucester Stage in Gloucester, MA and...
Read MorePosted by Abigail Weil | 19th Jun 2019 | Czech Republic, Design, Devised Theatre, News, Prague Quadrennial 2019
Today’s Prague Quadrennial adventures took me further away from the Exhibition Grounds than any...
Read MorePosted by Christine Deitner | 19th Jun 2019 | Los Angeles, Review, United States of America
The Fountain Theatre production of Michael McKeever’s 2018 off-Broadway hit “Daniel’s Husband” has...
Read MorePosted by Bobby Britton | 19th Jun 2019 | Chicago, Review, Theatre and Religion, Transcultural Collaborations, United States of America
The music was audible before I entered the theatre. As I walked down the aisle to my seat, the...
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