Review: “The Music Man” At The Stratford Festival
Admittedly, I’m probably the only person who has neither seen the Robert Preston/Shirley Jones...
Read MorePosted by Joe Szekeres | 20th Jun 2018 | Canada, Festivals, Musical Theatre, Review
Admittedly, I’m probably the only person who has neither seen the Robert Preston/Shirley Jones...
Read MorePosted by Soha Elsirgany | 19th Jun 2018 | Egypt, News, Theatre and Dance
The program also featured two performances from Karima Mansour. Between May 10 and 15, Falaki...
Read MorePosted by Joe Szekeres | 19th Jun 2018 | Canada, Festivals, Review
Eugene O’Neill’s classic twentieth-century semi-autobiographical drama deals with the Tyrone...
Read MorePosted by Julian Meyrick | 19th Jun 2018 | Australia, Essay, Playwriting
In our Great Australian Plays series, we nominate the best of Australian drama. If Australian...
Read MorePosted by Joe Szekeres | 18th Jun 2018 | Canada, Festivals, Review
Even after having taught this American classic to high school students for over thirty years, I...
Read MorePosted by Arts Equator | 18th Jun 2018 | Review, Singapore, Theatre and Art, Theatre and Gender
Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda And...
Read MorePosted by Nicole Birmann Bloom | 18th Jun 2018 | France, Interview, Theatre for Young Audiences, United States of America
On June 16 and 17, Invisible Dog Art Center in Brooklyn will present To The Heart, a performance...
Read MorePosted by Rathsaran Sireekan | 18th Jun 2018 | Belgium, Brazil, Festivals, Review, Singapore, Theatre and Decolonization
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
Read MorePosted by Simon Smith | 17th Jun 2018 | Dramaturgy, Essay, United Kingdom
Today we fully expect film, television, and theatre to use music to shape meaning. The screeching...
Read MorePosted by Milos Sofrenovic and Vinicius Jatobá | 17th Jun 2018 | Devised Theatre, Essay, France
The latest performance of the series The Politics of Movement: On Reinterpretation of Power by...
Read MorePosted by Rajka Stefanovska | 17th Jun 2018 | Canada, Festivals, Review, Theatre for Young Audiences
What an exciting piece of news for the Ottawa theatre community: Once Upon a Kingdom Theatre will...
Read MorePosted by Susan Berardini | 17th Jun 2018 | Argentina, Playwriting, Review
Pilgrimages have long served as expressions of both collective and individual faith, as well as...
Read MorePosted by Aleks Sierz | 17th Jun 2018 | Adaptation, London, Review, United Kingdom
Miss Jean Brodie, the larger-than-life Edinburgh schoolteacher that strides through Muriel Spark’s...
Read MorePosted by Jack Wernick | 16th Jun 2018 | New York, Review, United States of America
Repertorio Español, New York’s preeminent venue for Spanish language theatre, continues its 50th...
Read MorePosted by Claire Swyzen | 16th Jun 2018 | Directing, Review, South Korea, Transmedia
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
Read MorePosted by Jessica Rizzo | 15th Jun 2018 | New York, Review, Russian Theatre Abroad, Transmedia, United States of America
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MorePosted by Trevor Boffone | 15th Jun 2018 | Festivals, Interview, Playwriting, United States of America
Born and raised in Chicago by Dominican parents, Guadalís Del Carmen is a playwright, actress, and...
Read MorePosted by Grigory Zaslavsky | 14th Jun 2018 | News, Russia, Russian Theatre - Featured
From Fonvizin and Chekhov to Tolstoy, all on stage. The most famous Russian authors wrote not only...
Read MorePosted by Nobuko Tanaka | 14th Jun 2018 | Japan, News, Theatre and Dance
Tetsuya Kumakawa speaks about his most recent project, Cleopatra, in a way that’s as grand as the...
Read MorePosted by Adam Bloodworth | 14th Jun 2018 | Adaptation, London, News, United Kingdom
Channing Tatum fans are about to get a whole lot closer to the star’s character Magic Mike, as a...
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