Modern Man’s Predicament: Nobel Laureate Gao Xingjian As A Tragic Playwright
The place of dramatic tragedy in the twentieth century was one of extreme ambiguity and...
Read MorePosted by Letizia Fusini | 8th Jun 2018 | China, Essay, Playwriting
The place of dramatic tragedy in the twentieth century was one of extreme ambiguity and...
Read MorePosted by Davide Cioffrese | 8th Jun 2018 | Acting, Essay, Italy
It is not easy to approach a work such as Giorgio Strehler’s Arlecchino Servitore Di Due...
Read MorePosted by John Smythe | 8th Jun 2018 | New Zealand, Review, United States of America
In Welcome to the Murder House, Alfred’s story is told, in the popular vaudeville style of the day, by a group of prison inmates. For them, Southwick is a hero, given their shared belief that execution by electrocution will be more humane than hanging. And, as with the development of all high quality theatre, it takes a lot of trial and error to get it right.
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