September 2017 - Page 2 of 3 - The Theatre Times

The Easy Trigger Of “Guilty Landscapes III”

Posted by Chan Sze-Wei | 20th Sep 2017 | Review, Singapore

Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all,...

“Laser Beak Man” Busts The Fourth Wall And Blows Minds With Superheroic Puppetry

Posted by Peter Moyes | 20th Sep 2017 | Australia, Puppetry, Theatre and Disability

Laser Beak Man, the madcap superhero creation of artist Tim Sharp, who has autism, flew into La...

“Onegin:” 21st Century Sensibility Moves Musical Theatre Far Beyond The Box

Posted by Alvina Ruprecht | 20th Sep 2017 | Canada, Musical Theatre

First of all, do not read Pushkin’s Onegin before seeing The Musical Stage Company and NAC English...

Theatre Of Remembrance: Geschichtliches Gefuhl

Posted by Christoph Leibold | 19th Sep 2017 | Austria, Germany

Hardly another art form is better suited for the work of remembrance than the theatre as a medium...

Sir Peter Hall: A Colossus Who Rebuilt British Theatre From The Ground Up

Posted by Adam Sherwin | 18th Sep 2017 | Directing, Essay, London

A titan of the stage, whose influence over the development of post-War British theatre was...

Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey

Posted by Stephanie Bailey | 18th Sep 2017 | Cuba, Interview, United States of America

In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...

“The Blinding Light” at Jermyn Street Theatre

Posted by Aleks Sierz | 17th Sep 2017 | Adaptation, London, Review, United Kingdom

Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...

Classic Scripts, New Writing, And Diverse Subjects At The NCPA’s Pratibimb Marathi Theatre Festival

Posted by Vikram Phukan | 17th Sep 2017 | Festivals, India

Feminist themes, whether overt or subtextual, found expression in the plays that were showcased at...

Martial Law Musicals: Theatre of a New War?

Posted by Maria Lorena Santo | 17th Sep 2017 | Musical Theatre, Philippines, Theatre and Politics

“Philippine theater has, through three eras of political struggle—Filipino-American, Japanese,...

“The Hungry Ghosts” A Comedy About Addiction

Posted by Rachel E. Diken | 17th Sep 2017 | New York, Review, Theatre and Politics, United States of America

Core Artists Ensemble brings Tessa Borbridge’s The Hungry Ghosts to The Barrow Group Theatre this...

“When There Were Grenades In November” At Casa Musa In Monterrey

Posted by Lorena Meeser | 16th Sep 2017 | Mexico, Theatre and Politics

Leticia Huijara’s theatrical piece When There Were Grenades In November is being presented...

The National Theatre Of Iceland, Politics, And The Elf Palace

Posted by Sigríður Jónsdóttir | 16th Sep 2017 | Iceland, Theatre and Politics

The Icelandic theatre season is about to come out of hibernation, where theatres close for the...

Francesco De Sanctis: From the Electoral Travel to the Stage

Posted by Maria Pia Pagani | 15th Sep 2017 | Italy, Theatre and Politics

Francesco De Sanctis (1817–83) is one of the most important Italian literary critics and scholars,...

Shakespeare and Decolonization: #ShakespeareMustFall?

Posted by Marié-Heleen Coetzee | 15th Sep 2017 | Essay, South Africa, Theatre and Decolonization, Transcultural Collaborations

The 400th anniversary of Shakespeare’s death in 2016 provided ample room for celebrations and...

Nudity, Art and Political Violence in Brazil

Posted by Danilo Castro | 14th Sep 2017 | Brazil, Festivals

Although Brazil is known throughout the world as a country with bare bodies, its population is...

Billy Harrigan Tighe Brings Life to The Man Behind Peter Pan in The Play “Finding Neverland”

Posted by Nobuko Tanaka | 13th Sep 2017 | Japan, Musical Theatre

“All the world is made of faith, and trust, and pixie dust.” In those few words the Scottish...

Manjul Bhardwaj’s Experimental Theatre In Mumbai

Posted by Diwan Singh Bajeli | 13th Sep 2017 | India

In its pursuit of evolving a theatre of relevance, the Experimental Theatre Foundation (ETF) has...

Review: A Peek Inside Wig in a Box’s New Work-in-Progress

Posted by Willow White | 12th Sep 2017 | Canada, Theatre and Gender

Montreal, Québec Willow White attends a workshop performance of The Gentle Art of Punishment and...

“Road” at The Royal Court

Posted by Aleks Sierz | 11th Sep 2017 | London, Review, United Kingdom

Some legendary plays are a disappointment when you see them again — they don’t live up to the...

When Women Sing Their Stories

Posted by Vikram Phukan | 11th Sep 2017 | India, Theatre and Gender

The various signposts of a woman’s life find striking expression in the songs that have graced the...

Month: September 2017

The Easy Trigger Of “Guilty Landscapes III”

“Laser Beak Man” Busts The Fourth Wall And Blows Minds With Superheroic Puppetry

“Onegin:” 21st Century Sensibility Moves Musical Theatre Far Beyond The Box

Theatre Of Remembrance: Geschichtliches Gefuhl

Sir Peter Hall: A Colossus Who Rebuilt British Theatre From The Ground Up

Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey

“The Blinding Light” at Jermyn Street Theatre

Classic Scripts, New Writing, And Diverse Subjects At The NCPA’s Pratibimb Marathi Theatre Festival

Martial Law Musicals: Theatre of a New War?

“The Hungry Ghosts” A Comedy About Addiction

“When There Were Grenades In November” At Casa Musa In Monterrey

The National Theatre Of Iceland, Politics, And The Elf Palace

Francesco De Sanctis: From the Electoral Travel to the Stage

Shakespeare and Decolonization: #ShakespeareMustFall?

Nudity, Art and Political Violence in Brazil

Billy Harrigan Tighe Brings Life to The Man Behind Peter Pan in The Play “Finding Neverland”

Manjul Bhardwaj’s Experimental Theatre In Mumbai

Review: A Peek Inside Wig in a Box’s New Work-in-Progress

“Road” at The Royal Court

When Women Sing Their Stories

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