Fusions, Explorations and Making It Make Sense: Talking Dramaturgy with Flavia D’Avila
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
Read MorePosted by Andrew Edwards | 28th Feb 2017 | Dramaturgy, Interview, Scotland, Theatre and Dance, Transcultural Collaborations
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
Read MorePosted by Julian Meyrick | 28th Feb 2017 | United Kingdom
Irvine Welsh’s in-yer-face, anti-fairy tale of no-hope NEDs (non-educated delinquents), and the...
Read MorePosted by Adam Sherwin | 28th Feb 2017 | London, News, United Kingdom
The Breaking Bad star Bryan Cranston will make his London stage debut in a National Theatre...
Read MorePosted by Pablo Bardin | 28th Feb 2017 | Argentina, Theatre and Opera
Adelaide di Borgogna highlights the beauty of its music and the very good cast The Plaza Vaticano...
Read MorePosted by Natali Pearson | 27th Feb 2017 | Indonesia, Theatre and Dance
Mindful that the adrenaline coursing through your veins must not disturb the rhythm of your...
Read MorePosted by Yvonne Chinyere Anoruo | 27th Feb 2017 | Festivals, Nigeria
From Tuesday 28 February – Sunday 5 March 2017, over 500 artists will gather to present over 70...
Read MorePosted by Chen Ran | 27th Feb 2017 | China, Essay, Immersive Theatre
The stage is a natural home for performance art, but any location where a performance can happen...
Read MorePosted by Aleks Sierz | 27th Feb 2017 | Belgium, Review, Theatre for Young Audiences
How do you stage appalling real-life events? I mean, without either being too luridly voyeuristic...
Read MorePosted by Maria Pia Pagani | 26th Feb 2017 | Italy
The town of Venice hosts one of the oldest traditions for the celebration of Carnival in Italy....
Read MorePosted by Mary Barnard | 26th Feb 2017 | Festivals, Peru
The Festival de Artes Escénicas will showcase nineteen works of theatre by groups from around Peru, Latin America, and the world.
Read MorePosted by Oana Stoica | 25th Feb 2017 | Essay, Romania
Historical Context Twenty‑five years after the fall of the communist regime, the performing arts...
Read MorePosted by Felipe Vidal | 25th Feb 2017 | Brazil, Immersive Theatre
The first time I saw a play by Oficina Uzyna Uzona, at Teatro Oficina, was in 1994. Better said,...
Read MorePosted by David O'Donnell | 24th Feb 2017 | Design, Interview, New Zealand
The light fades to a darkness more intense than a starless night on a country road. As the eyes...
Read MorePosted by Marjan Moosavi | 24th Feb 2017 | Festivals, Iran
The 35th edition of the Fadjr International Theatre Festival (FITF) ran from 20–31 January 2017,...
Read MorePosted by Nobuko Tanaka | 23rd Feb 2017 | Japan, Transmedia
You won’t be alone if you’ve never heard of the Tokyo-based International Centre for Theatre Arts,...
Read MorePosted by Julian Meyrick | 23rd Feb 2017 | Australia
In 2004, Melbourne Theatre Company, where I worked at the time, asked me to write a short history...
Read MorePosted by Detlev Baur | 22nd Feb 2017 | Germany, Playwriting, Theatre and Politics
With his debut play Terror, the lawyer and best-selling German author Ferdinand von Schirach...
Read MorePosted by Clement Lee | 22nd Feb 2017 | China, Hong Kong, Review, Theatre and Politics
A Concise History of Future, Yan Pat-to’s new Berlin Theatertreffen Stückemarkt award-winning...
Read MorePosted by Aleks Sierz | 22nd Feb 2017 | Adaptation, Review, United Kingdom
There are few modern literary fables that really resonate in the wider culture. And most that do...
Read MorePosted by Nigel Ward | 21st Feb 2017 | Musical Theatre, United States of America
The death of the film musical has regularly been announced, for almost as long as there have been...
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