Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
Read MorePosted by Ágnes Bakk | 5th Feb 2017 | Interview, London, Participatory Theatre, Transmedia, United Kingdom
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
Read MorePosted by Diwan Singh Bajeli | 4th Feb 2017 | Adaptation, India
With its debut production of Jaisi Karni Waisi Bharni presented at the 21st Urdu Drama Festival in...
Read MorePosted by Elinor Fuchs | 4th Feb 2017 | New York, Review, Theatre and Age, United States of America
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
Read MorePosted by Aleks Sierz | 4th Feb 2017 | Essay, Theatre and Politics, United Kingdom
This year has got off to a very slow start, with exciting new British plays being exceedingly...
Read MorePosted by Leah Lord | 3rd Feb 2017 | Interview, London, Russia, Theatre and Dance, United Kingdom
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
Read MorePosted by Aleks Sierz | 3rd Feb 2017 | Essay, Playwriting, Theatre and Gender, United Kingdom
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
Read MorePosted by Susan Berardini | 3rd Feb 2017 | Argentina, News, Producing
Buenos Aires is widely recognized by many as the theater capital of South America, and both the...
Read MorePosted by Lauren Dubowski | 2nd Feb 2017 | Directing, News, Poland, Theatre and Gender
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
Read MorePosted by Marcina Zaccaria | 2nd Feb 2017 | Directing, Interview, Musical Theatre, United Kingdom
Jim Steinman’s Bat Out of Hell – The Musical is opening with a burst of energy at the...
Read MorePosted by Jeff Robson | 1st Feb 2017 | Adaptation, Review, United Kingdom
The antithesis of some of the slick, accomplished television premieres of the festive season was...
Read MorePosted by Baharak Sahami | 1st Feb 2017 | Iran, Review
The Kitchen, a one-hour, forty-minute play directed by Mohammad Hassan Ma’jooni, was staged in...
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