“Minutes Flow”: An Ontological Search Through One’s Grandmother
Los minutos se vierten (Minutes Flow), an experimental theater/dance piece, is showing at Teatro...
Read MorePosted by Margarita Vargas | 24th Oct 2016 | Mexico, Review
Los minutos se vierten (Minutes Flow), an experimental theater/dance piece, is showing at Teatro...
Read MorePosted by Mary Barnard | 24th Oct 2016 | Essay, Peru
Collacocha by Enrique Solari Swayne gains new life as it approaches its sixtieth year of production.
Read MorePosted by Sam Solnick | 23rd Oct 2016 | Essay, United Kingdom
Oil, Ella Hickson’s new play at the Almeida, begins in a bitingly cold Cornwall in 1889 when a...
Read MorePosted by Florian Malzacher | 23rd Oct 2016 | Essay, Germany, Participatory Theatre, Theatre and Politics
The more the time we are living through seems out of joint, the harder it has been for the...
Read MorePosted by Paula Lopez | 23rd Oct 2016 | Brazil, Essay, Festivals, Theatre and Disability
In January 2016, I took part of a round table entitled The Disabled People’s Protagonism in...
Read MorePosted by Sarah Balkin | 22nd Oct 2016 | Canada, Directing, Review
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
Read MorePosted by Robert Duffley | 22nd Oct 2016 | LGBTQ+ Theatre, News, Russia
Out of the Blue, currently playing at Moscow’s Satirikon Theater, is restricted to ages 21...
Read MorePosted by Deepa Ganesh | 21st Oct 2016 | Essay, India
Ninasam Tirugata staged two plays — Kalandugeya Kathe and Atta Dari Itta Puli. One reads the...
Read MorePosted by Megan Geigner | 21st Oct 2016 | Adaptation, Chicago, Musical Theatre, News
The Tempest and Dreamgirls take top honors at the 48th Annual Jeff Awards October 17, 2016 –...
Read MorePosted by Marie Sorbier | 21st Oct 2016 | Festivals, Georgia, News
An askew church tower, an entrance in half-light–some places do not expose themselves that easily....
Read MorePosted by Marcina Zaccaria | 20th Oct 2016 | New York, News, Theatre and Opera, Transmedia, United States of America
Live – what is it and why does it matter? The Metropolitan Opera’s Live in HD series brings opera...
Read MorePosted by Marcina Zaccaria | 20th Oct 2016 | News, Playwriting, Theatre and Opera
A world class librettist, David Henry Hwang’s career has been noted for success in Opera, Musical...
Read MorePosted by Paula Erizanu | 20th Oct 2016 | Czech Republic, Review, Theatre and Politics, Translation
The play Poker Face by acclaimed Czech playwright Petr Kolečko–in Eva Daníčková’s translation and...
Read MorePosted by David O'Donnell | 20th Oct 2016 | New Zealand, Review
Environmental and economic concerns are at the heart of New Zealand playwright Dave Armstrong’s...
Read MorePosted by Maria Pia Pagani | 19th Oct 2016 | Italy, News
On 13th October 2016, Dario Fo died in Milan at age 90. He was one of the most influential artists...
Read MorePosted by Elisabeth Leinslie | 18th Oct 2016 | Essay, Norway
The Norwegian theatre landscape is vast and heterogeneous; as different as the cultures and the...
Read MorePosted by Maria Pia Pagani | 18th Oct 2016 | Acting, Italy, News
In November 2011, in Venice, the Giorgio Cini Foundation officially opened a new permanent space...
Read MorePosted by Fadi Fayad Skeiker | 17th Oct 2016 | Directing, Interview, Portugal
The interview was conducted in Guimarães, Portugal, on October 8, 2016, after I saw his play Nós...
Read MorePosted by Bryce Lease | 17th Oct 2016 | Essay, LGBTQ+ Theatre, Poland
In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...
Read MorePosted by Nahed Nasr | 16th Oct 2016 | Directing, Iraq, Review, Sweden, Theatre and Politics
Pillars of Blood is a performance focusing on memories of the Iraqi crisis as captured by Anmar...
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