Shades of Love
Recipient of this year’s Sangeet Natak Akademi’s Award for theatre, director Mushtaq Kak’s...
Read MorePosted by Diwan Singh Bajeli | 31st Oct 2016 | India, Review
Recipient of this year’s Sangeet Natak Akademi’s Award for theatre, director Mushtaq Kak’s...
Read MorePosted by Mary Barnard | 31st Oct 2016 | Peru, Review, Theatre and Politics
Cusco’s Grupo Impulso de Teatro remembers twenty years of political violence in Peru with ‘De pie sobre el espejo’ (2005).
Read MorePosted by Cristina Modreanu | 30th Oct 2016 | Adaptation, News, Romania, Theatre and Gender
Future is Feminine introduces American audiences to innovative Romanian women artists remixing...
Read MorePosted by The Theatre Times | 30th Oct 2016 | Canada, News
35 Years of Prison Theatre: William Head on Stage presents Sleeping Giants, a new play about The...
Read MorePosted by Wolfgang Höbel | 29th Oct 2016 | Austria, News, Playwriting
In the course of her life, Elfriede Jelinek, who recently turned seventy, has written over thirty...
Read MorePosted by Marcina Zaccaria | 28th Oct 2016 | New York, News, Theatre and Opera, Transmedia, United States of America
Returning to the Met’s Live in HD series is a moving production of Don Giovanni. Part of the charm...
Read MorePosted by Jessica Rizzo | 28th Oct 2016 | Adaptation, New York, Review, Theatre and Gender, United States of America
The Maids, September 29-October 23, The INTAR Theatre, New York City Invoking the...
Read MorePosted by Walter Byongsok Chon | 28th Oct 2016 | News, South Korea, Translation
The article below is one I wrote for the E-Newsletter Hamilton Dramaturgy’s ScriptForward! back in...
Read MorePosted by Curtis Peter van Gorder | 28th Oct 2016 | Applied Theatre, News
Thanks to the cooperation of several NGOs in Thailand, Elixir Mime was able to give three mime...
Read MorePosted by Elisabeth Leinslie | 27th Oct 2016 | Essay, Norway
The independent theatre companies have at all times been champions for developing new texts for...
Read MorePosted by The Theatre Times | 27th Oct 2016 | India, Review, Theatre and Gender
Kimartham Draupathy, Aswathy Vijayan’s Sanskrit play, is about predicaments that women face even...
Read MorePosted by Rachel E. Diken | 26th Oct 2016 | Review, Theatre and Politics, United States of America
The Paper Mill Playhouse’s revival of Broadway hit The Producers received the 2016 Regional...
Read MorePosted by Tomaž Toporišič | 26th Oct 2016 | Dramaturgy, Essay
I. The dramaturg as emancipated spectator I will begin with this assumption: Today the...
Read MorePosted by Marco Vasques and Rubens da Cunha | 26th Oct 2016 | Acting, Brazil, News
When someone asked Maria Alice Vergueiro what would people talk about her after her death, she...
Read MorePosted by Philippa Wehle | 26th Oct 2016 | Essay, Translation
Thinking about how to make supertitles more friendly, more accessible to an audience that is...
Read MorePosted by Robert Duffley | 26th Oct 2016 | News, Russia
In an emotional speech on October 24, Konstantin Raikin—the artistic director of Moscow’s...
Read MorePosted by Katerina Valdivia Bruch | 25th Oct 2016 | Interview, Lebanon
Are digital media able to launch a revolution? A conversation with the Lebanese artist Rabih Mroué...
Read MorePosted by Nobuko Tanaka | 25th Oct 2016 | Directing, Interview, Japan
When Peter Goessner’s wife got a contract to teach at a university in the city of Kitakyushu,...
Read MorePosted by Susan Berardini | 25th Oct 2016 | Argentina, Dramaturgy, News
Independent theater in Buenos Aires is currently thriving, despite a number of severe economic...
Read MorePosted by Lina Attel | 25th Oct 2016 | Applied Theatre, Jordan, News, Participatory Theatre
Think of the Middle East and theatre would not be the first image that comes to the mind of most...
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