Marius von Mayenburg’s Nachtland at the Young Vic: Satire on Art and Anti-Semitism Is Both Absurdist and Unsettling
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MorePosted by Aleks Sierz | 4th Mar 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MorePosted by Aleks Sierz | 4th Aug 2023 | London, Review, Theatre and Politics, United Kingdom
Trauma is the source of identity politics. In the case of African-Americans, the experience of...
Read MorePosted by Aleks Sierz | 13th Apr 2023 | London, Review, Theatre and Politics, United Kingdom
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember...
Read MorePosted by Allison Newey and Kasia Lech | 7th Mar 2023 | Belarus, Festivals, Interview, London, Theatre and Politics, United Kingdom
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
Read MorePosted by Mert Dilek | 8th Dec 2022 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
TV is a strange medium, but James Graham is no stranger to its toxic charm. London audiences have...
Read MorePosted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
Read MorePosted by Aleks Sierz | 14th Aug 2022 | India, London, Playwriting, Review, Theatre and Politics, United Kingdom
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
Read MorePosted by Aleks Sierz | 14th Jan 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
At the end of the 1960s, American soul poet Gil Scott-Heron said that the revolution will not be...
Read MorePosted by Aleks Sierz | 3rd Jun 2020 | Review, Theatre and Gender, United Kingdom
The National Theatre’s triumphant march through its archive of NT Live recordings continues this...
Read MorePosted by Mert Dilek | 16th Feb 2020 | Adaptation, London, Review, United Kingdom
A woman walks into her home. Then does another. And another. Stef Smith’s Nora: A Doll’s House is...
Read MorePosted by Mert Dilek | 8th Dec 2019 | London, Review, Theatre and Politics, United Kingdom
Fairview is a scorching minefield that looks like a green meadow. At long last, London audiences...
Read MorePosted by Maria Delgado | 10th Oct 2019 | Review, Spain, Translation, United Kingdom
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
Read MorePosted by Eleanor Warr | 25th Feb 2019 | Essay, Theatre and Science, United Kingdom
The Mayor of London’s 2008 practical guide to “Green Theatre” reported that the total...
Read MorePosted by Aleks Sierz | 22nd Jan 2019 | London, Review, Theatre and Decolonization, Theatre and Religion, United Kingdom
Wow! First, the Black Panther team took cinema by storm; now, they have conquered theatre as well....
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Musical Theatre, Review, United Kingdom
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
Read MorePosted by Natasha Sutton Williams | 24th Jul 2018 | Books, Directing, Theatre and Disability, United Kingdom
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
Read MorePosted by Aleks Sierz | 25th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
Read MorePosted by The Theatre Times | 23rd Oct 2017 | London, News, United Kingdom
“You’re told you can’t do this. I’ve tried to go: yes we can.” The new artistic director of...
Read MorePosted by Alvina Ruprecht | 26th Sep 2017 | Adaptation, Theatre and Gender, United Kingdom
Yerma in London, as the subtitle states, is a contemporary adaptation of Federico García...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 