Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read MorePosted by Morgan Skolnik | 27th Feb 2023 | Directing, Interview, New York, United States of America
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read MorePosted by Alexander Nderitu | 22nd Sep 2021 | Festivals, Kenya, News
The Kenya Theatre Awards seek to fill these two gaps by tracking and watching all performances in the country and providing data and statistics on the number of venues, performances staged, people watching performances in the country. This will be achieved by the Jury and technical team of the Awards who will work in partnership with theatre venues, producers and theatre companies.
Read MorePosted by John Smythe | 7th Oct 2019 | Review
Distills the Big Themes of Political Intrigue with Insight, Flair, Withering Wit, and a Welcome...
Read MorePosted by Jack Wernick | 4th Oct 2019 | Interview, New York, Theatre and Politics, United States of America
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
Read MorePosted by Michael Walker | 1st Oct 2019 | Interview, Japan, Musical Theatre
Disturbance is an original musical, making its world premiere in Tokyo this month. We spoke with...
Read MorePosted by Jack Wernick | 12th Sep 2019 | Interview, New York, Theatre and Politics, United States of America
New York’s storied Cherry Lane Theatre in the West Village was recently the home of the LAByrinth...
Read MorePosted by Trevor Boffone | 13th Apr 2019 | Dallas, Review, United States of America
I first met Marisela Treviño Orta at the Encuentro Theatre Festival in 2014. While we quickly hit...
Read MorePosted by Trevor Boffone | 24th Jan 2019 | Festivals, Interview, United States of America
This February, playwright Beto O’Byrne’s The Corrido Of The San Patricios will receive a staged...
Read MorePosted by Aleks Sierz | 20th Jan 2019 | Essay, Playwriting, United Kingdom
There is a simple dinner-party game that can be played at no ostensible cost. The host asks, “Who...
Read MorePosted by Aleks Sierz | 23rd May 2018 | London, Review, United Kingdom
Playwright Barney Norris is as prolific as he is talented. Barely out of his twenties, he has...
Read MorePosted by Mara Valderrama | 24th Nov 2017 | Review, Spain
The Ambigú is a tiny space in the Pavón Kamikaze theatre in Madrid; a large hallway bar that often...
Read MorePosted by Nina Huang | 18th Oct 2017 | China, Essay, Playwriting, Producing
Meddling directors, confused actors, and pushy politicians are leaving the country’s budding...
Read MorePosted by Aleks Sierz | 17th Sep 2017 | Adaptation, London, Review, United Kingdom
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
Read MorePosted by John J. Winters | 16th Aug 2017 | Playwriting, United States of America
When Sam Shepard died on July 27 the world lost one of the greatest playwrights of the past...
Read MorePosted by Oksana Dudko | 20th Jul 2017 | Documentary Theatre, Dramaturgy, Ukraine
During the post-Soviet period, Ukrainian dramaturgy lagged behind prose and poetry and was almost...
Read MorePosted by Neil Fleming | 23rd Dec 2016 | News, Translation, Worldwide
Next week marks the deadline for the annual call for scripts from EURODRAM.
Read MorePosted by Michael Evans | 19th Nov 2016 | Denmark, Essay, Europe, Playwriting
Here are five new European plays you should know about.
Read MorePosted by Saayantan Pal Chowdhury | 17th Jul 2016 | India, Review
The dramatic performance of Pot Pot Potuya (at Dinabandhu Mancha, Siliguri, December 2015) shows...
Read MorePosted by Hemangi Hemangi | 17th Jul 2016 | India, Review, Theatre and Gender
In Marathi literature, one finds a strong tradition of Dalit literature, including autobiographies...
Read MorePosted by The Theatre Times | 13th Oct 2015 | Europe
The call for submissions is now open for EURODRAM 2016! EURODRAM is a theatrical promotion network of works in European, Mediterranean and Central Asian languages. Its main objective is to present works by contemporary...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 | M | T | W | T | F | S | S |
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