“The Harmony Test,” Hampstead Theatre
“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have...
Read MorePosted by Aleks Sierz | 27th May 2024 | London, Review, Theatre and Gender
“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have...
Read MorePosted by Aleks Sierz | 25th Nov 2020 | Review, Theatre and Religion, United Kingdom
Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three...
Read MorePosted by Aleks Sierz | 23rd Oct 2019 | London, Review, Theatre and Politics, United Kingdom
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
Read MorePosted by Anuj Kumar | 12th Oct 2019 | India, Playwriting, Review
Ahead of the première of Dastaan-e-Ram, writer Danish Iqbal discusses the joys and challenges of...
Read MorePosted by Bobby Britton | 19th Jun 2019 | Chicago, Review, Theatre and Religion, Transcultural Collaborations, United States of America
The music was audible before I entered the theatre. As I walked down the aisle to my seat, the...
Read MorePosted by Aleks Sierz | 12th Mar 2019 | London, Review, Theatre and Religion, United Kingdom
The events of 9/11 were a global wake-up call — and that includes theatre. In the wake of the War...
Read MorePosted by Irina Yakubovskaya | 15th Dec 2018 | Interview, New York, Theatre and AI, Theatre and Opera, Transmedia, United States of America
Ellen Pearlman is a New York based media artist, curator, writer, critic, and educator. She holds...
Read MorePosted by Rathsaran Sireekan | 17th Nov 2018 | Belgium, Festivals, Review, Theatre and Politics
Cezary Goes To War by Cezary Tomaszewksi and Tell Me About The Revolution by Farbod Fathinejadfard...
Read MorePosted by Aleks Sierz | 19th Jul 2018 | London, Playwriting, Review, United Kingdom
Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples...
Read MorePosted by S. Ravi | 6th Mar 2018 | Essay, India, Playwriting
Staged at the ongoing 8th Theatre Olympics, Sabir Khan’s Doodhan mirrors the hardships of...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Alix Bromley | 21st Jan 2015 | Adaptation, Australia, Interview
This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 

The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 