“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
Read MorePosted by Teodora Medeleanu | 10th Feb 2026 | Essay, Festivals, Poland, Romania, Transcultural Collaborations
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
Read MorePosted by Andrew Agress | 23rd Jun 2024 | Interview, New York, United States of America
Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.
Read MorePosted by Mert Dilek | 19th Feb 2024 | London, Review, United Kingdom
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
Read MorePosted by Marisa C. Hayes | 6th Oct 2021 | Europe, France, Latest, Review, Theatre and Opera, Transcultural Collaborations
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
Read MorePosted by Urszula Pysyk | 23rd Aug 2021 | Adaptation, Poland, Review, Transmedia
Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...
Read MorePosted by Emily Cordes | 8th Aug 2021 | New York, Review, United States of America
The last several years in our shared history, particularly the rise of discriminatory legislation,...
Read MorePosted by Kathryn Mederos Syssoyeva and Diana Zhdanova | 2nd Aug 2021 | Between.Pomiędzy 2021, Essay, Festivals, Poland, Theatre and AI, Transmedia
Day four of the Between.Pomiedzy festival featured Virtual Beckett, the third seminar by the...
Read MorePosted by Christy Romer | 23rd May 2021 | Interview, Italy, Transmedia
In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...
Read MorePosted by Irina Yakubovskaya | 1st Sep 2020 | Interview, Theatre and Dance, Theatre and Disability, Transmedia
Heidi Latsky is a dancer and a choreographer who puts her vision of an inclusive integrated world...
Read MorePosted by Jacob Juntunen and Dagmara Krzyżaniak | 28th Dec 2017 | Poland, Review, Theatre and Disability, Theatre and Politics
“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...
Read MorePosted by Zolima Citymag | 23rd Aug 2017 | France, Japan, Theatre for Young Audiences, Transcultural Collaborations
Why We Recommend it Using pioneering technology and fun choreography, this multimedia dance show...
Read MorePosted by Fides Schopp | 1st May 2016 | Austria, Interview, Playwriting
College of inspiration from playwright Anna Gschnitzer’s desk. Do plays require a different...
Read MorePosted by Jay Brinker | 9th Oct 2014 | Australia, Festivals, Review
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
Read MorePosted by Christine Judith Nicholls | 10th Mar 2014 | Adaptation, Festivals, Immersive Theatre, Netherlands, Review, Theatre and Politics, Transmedia
Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 

From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 
