#metoo Archives - The Theatre Times

With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment

Posted by Vanessa Smith | 29th Jul 2022 | Adaptation, Australia, Review, Theatre and Gender

Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...

No Longer Silent: How a Bosnian Theatre Festival Became a Focal Point for The MeToo Movement

Posted by Natasha Tripney | 22nd Feb 2022 | Bosnia, Festivals, Review, Theatre and Gender

Across the western Balkans women are raising their voices against violence following a series of...

“Oleanna,” Arts Theatre

Posted by Aleks Sierz | 18th Aug 2021 | London, Review, Theatre and Gender, United Kingdom

Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...

Madsoc Theatre Reopens with “Once An Actress”

Posted by Angela Jimu | 26th Apr 2021 | Adaptation, Malawi, Review

Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...

“Waiting for Gretchen: Faust” – Teater Republique

Posted by Peter M. Boenisch | 24th Oct 2020 | Adaptation, Denmark, Review, Theatre and Gender

Faustimir and Mephistragon The misery of the aging white man, who once diligently studied...

Evidence and/or Performance?

Posted by Monika Kwaśniewska | 20th May 2020 | Essay, Poland, Theatre and Gender

It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress...

In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law

Posted by Bryoni Trezise | 8th Jun 2019 | Australia, Review, Theatre and Gender

Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...

“ANNA” at The National Theatre

Posted by Aleks Sierz | 5th Jun 2019 | London, Review, Theatre and Politics, United Kingdom

Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...

Why Hong Kong Is Surprisingly Fertile Ground For Western Opera

Posted by Zabrina Lo | 14th May 2019 | Hong Kong, News, Theatre and Opera

Being one of China’s Three Tenors meant that Easter was no holiday for Warren Mok. The opera giant...

“Top Girls” at The National Theatre

Posted by Duška Radosavljević | 10th May 2019 | London, Review, Theatre and Gender, United Kingdom

Written only as recently as 1981, Caryl Churchill’s modern classic Top Girls has already been on...

“Mary, Queen Of Scots” Is Newly Relevant In The Age Of #MeToo

Posted by Rosalind Smith | 9th Mar 2019 | Australia, Essay, Sydney, Theatre and Gender

The dramatic life of Mary Stuart, Queen of Scots is a hot topic in popular culture. Josie Rourke’s...

“All About Eve” at Noel Coward Theatre

Posted by Duška Radosavljević | 21st Feb 2019 | London, Review, United Kingdom

Some seventy-odd years ago, New Yorker Mary Orr wrote a short story for the Cosmopolitan magazine...

What Is Queer About Queer Performance Now?

Posted by Elke Huybrechts | 17th Feb 2019 | Belgium, Essay, LGBTQ+ Theatre

Between identity and identitylessness In this article, Elke Huybrechts regards what happened on...

Ellie Kendrick’s “Hole” at The Royal Court

Posted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom

Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...

Stages Of Womanhood: On Female Theatre In The Arab World

Posted by Nora Amin | 25th Nov 2018 | France, Morocco, News, Theatre and Gender, Transcultural Collaborations

The University of Bordeaux Montaigne concluded its 2018 public cultural program with a...

Martin Crimp’s “Dealing With Clair” At The Orange Tree Theatre

Posted by Aleks Sierz | 1st Nov 2018 | London, Review, United Kingdom

On the morning when this stylish revival of Martin Crimp’s 1988 play opens, I wake up to the news...

“Measure For Measure”: Shakespeare’s #MeToo Moment

Posted by Abigail Weil | 27th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender

Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...

Sarah Kane’s Controversial 1990s Play “Blasted” Feels Prescient In The #MeToo Era

Posted by Jana Perkovic | 23rd Sep 2018 | Playwriting, Review, Theatre and Gender

Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...

Rose Matafeo’s “Horndog” – Edinburgh Fringe, Review: “Invigoratingly Enjoyable”

Posted by Alice Jones | 10th Aug 2018 | Festivals, Review, United Kingdom

Before her show begins, Rose Matafeo is on stage, bounding around in trainers and a tennis skirt,...

Vicky Jones On Life After “Fleabag” And “The One”: “It’s Based On Something That Happened To Me”

Posted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom

Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...

Tag: #metoo

With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment

No Longer Silent: How a Bosnian Theatre Festival Became a Focal Point for The MeToo Movement

“Oleanna,” Arts Theatre

Madsoc Theatre Reopens with “Once An Actress”

“Waiting for Gretchen: Faust” – Teater Republique

Evidence and/or Performance?

In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law

“ANNA” at The National Theatre

Why Hong Kong Is Surprisingly Fertile Ground For Western Opera

“Top Girls” at The National Theatre

“Mary, Queen Of Scots” Is Newly Relevant In The Age Of #MeToo

“All About Eve” at Noel Coward Theatre

What Is Queer About Queer Performance Now?

Ellie Kendrick’s “Hole” at The Royal Court

Stages Of Womanhood: On Female Theatre In The Arab World

Martin Crimp’s “Dealing With Clair” At The Orange Tree Theatre

“Measure For Measure”: Shakespeare’s #MeToo Moment

Sarah Kane’s Controversial 1990s Play “Blasted” Feels Prescient In The #MeToo Era

Rose Matafeo’s “Horndog” – Edinburgh Fringe, Review: “Invigoratingly Enjoyable”

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