“No Power for the Electric Chair ” – Crime of Theatrical Absurd
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Read MorePosted by Emilija Kvočka | 16th Dec 2024 | Directing, Macedonia, Review
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Read MorePosted by Aleks Sierz | 28th May 2024 | London, Review, Theatre and Art, United Kingdom
When does creativity become mannered? When it’s based on repetition, and repetition without...
Read MorePosted by Sarah-Jane Coyle | 22nd Jun 2023 | Review, Theatre and Politics, United Kingdom
Ken Loach’s 2016 film I, Daniel Blake is a scathing indictment of the British benefits system. The...
Read MorePosted by Nathalie Rozanes | 28th Mar 2023 | Belgium, Essay, Review, Theatre and Dance, Theatre and Film
Dance, the maternal and the push and pull against the form. The feature length film Toute une nuit...
Read MorePosted by Jonathan Kalb | 10th Aug 2022 | Adaptation, Afghanistan, Directing, Review, United States of America
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
Read MorePosted by Adrian Danks | 5th Jun 2022 | Acting, Books, Essay, United States of America
When an actor is criticized for peculiarly excessive preparation for a role, or an inability to...
Read MorePosted by Urszula Pysyk | 23rd Aug 2021 | Adaptation, Poland, Review, Transmedia
Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...
Read MorePosted by Yizhou Zhang | 21st Aug 2021 | Festivals, Review, Theatre and Film, Transmedia, Turkey, United Kingdom
Abandoned Shores / Negative Photographs (Turkish: Terk Edilmiş Kıyılar // Negatif Fotoğraflar) by...
Read MorePosted by Aleks Sierz | 23rd Feb 2021 | Covid-19, Review, Theatre and Art, United Kingdom
Film is the new theatre — this we know, but does the distance imposed by the change of medium...
Read MorePosted by Aleks Sierz | 31st Dec 2020 | London, Playwriting, Review, United States of America
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
Read MorePosted by Aleks Sierz | 25th Nov 2020 | Review, Theatre and Religion, United Kingdom
Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three...
Read MorePosted by Jelena Gvozden | 2nd Aug 2020 | Croatia, Interview, Playwriting
We continue our conversation with Espi Tomičić, a Croatian playwright and “boy from the...
Read MorePosted by Sarah Price | 23rd Jul 2020 | Directing, Essay, Producing, United Kingdom, United States of America
From classic Andrew Lloyd Webber plays to the release of a recording of the original cast of...
Read MorePosted by Patrick Langston | 2nd Feb 2020 | Canada, Musical Theatre, Theatre and Film
How do you maim a perfectly good musical? Run the show through an abysmally tuned sound system in...
Read MorePosted by Frida Sandström | 7th Nov 2019 | Essay, Theatre and Dance, United States of America
In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...
Read MorePosted by Julia Secklehner | 11th Oct 2019 | Czech Republic, London, Musical Theatre, Review
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
Read MorePosted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read MorePosted by Zolima Citymag | 27th Mar 2019 | Adaptation, Hong Kong, News, Theatre and Opera
Why We Recommend it The opera Madame White Snake tells the story of a demon’s incessant pursuit of...
Read MorePosted by Eylül Fidan Akıncı | 16th Feb 2019 | Essay, New York, Theatre and Dance, Transmedia, United States of America
Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...
Read MorePosted by Nobuko Tanaka | 26th Jan 2019 | Adaptation, Japan, News
In a scoop for Tokyo, Theatre Cocoon in Shibuya Ward is set to mark the new year with the world...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 

Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 
