“Ronja, the Robber’s Daughter:” Theater Conventions for Kids
In spite of all open-mindedness, attending family performances as an adult can be, initially at...
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Tag: family
“I Killed My Mother/It Wasn’t My Fault.” Which Way Does One Get to Come-of-Age?
The question of universality faces entire series of utterly new answers, but not all of them find...
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“Baghdaddy” at the Royal Court
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
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A Son, His Father, and Steampunk: Reliving Days of Future Past
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
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Review: “Cursed!” is a Play of Outrageous Wit and Deep Thought
Review: Cursed! by Kodie Bedford, directed by Jason Klarwein Tucked away at the back of the...
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Interview with Playwright Espi Tomičić. Part II: ‘Boy From the Neighborhood’
We continue our conversation with Espi Tomičić, a Croatian playwright and “boy from the...
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Disrupting Taboos, Staging Cancer: Snowdrops and Chlorine’s Eruptive Intervention
The following review is based on the Snowdrops and Chlorine script, which differs slightly from...
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Interview with Playwright Espi Tomičić. Part I: Earning an Identity
Espi Tomičić is a new playwright on the Croatian theatre scene but already garnered attention for...
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Branden Jacobs-Jenkins’s “Appropriate” at the Donmar Warehouse: Deconstructing the American Family Play
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
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Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”
Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...
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“Garry” at The White Bear Theatre
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
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Interview With Sasha Marianna Salzmann: The Playwright
When asked about her background, she tends to respond, “I come from the theatre:” playwright and...
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Performatik 2019 – Towards Indisciplinarity
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
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Theatre Of The Real And Embracing The Politics Of The Current Moment: Heidi Schreck’s “What The Constitution Means To Me”
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
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Nina Raine’s “Stories” at The National Theatre
In 2017, playwright Nina Raine’s Consent, an excellent National Theatre play about lawyers and...
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Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
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Trey Anthony’s “How Black Mothers Say I Love You”
Trey Anthony, the acclaimed playwright of the smash hit Da Kink In My Hair, brings her newest work...
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“My Mum’s A Twat” at The Royal Court
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
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“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories
Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...
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Sexual Desires of People with Learning Disabilities are Taboo – It’s Why We Mishandle their Pregnancies
Mia: Daughters of Fortune is a play at the Edinburgh Festival Fringe about a young woman who falls...
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