2024 Dublin Theatre Festival – Subjective Report [Part II]
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read MorePosted by Michał Lachman | 4th Mar 2025 | Acting, Festivals, Ireland
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read MorePosted by Berna Ataoğlu | 6th Feb 2025 | Canada, Review, Theatre and AI, Theatre and Science
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
Read MorePosted by Emilija Kvočka | 14th Aug 2024 | Acting, Festivals, Montenegro, Review
The Rubix festival, held for the second time in Porto Montenegro, in Tivat, represents an...
Read MorePosted by Aleks Sierz | 28th May 2024 | London, Review, Theatre and Art, United Kingdom
When does creativity become mannered? When it’s based on repetition, and repetition without...
Read MorePosted by Margaret Rose | 7th Apr 2024 | Festivals, Immersive Theatre, Italy
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
Read MorePosted by Emilija Kvočka | 18th Dec 2023 | Festivals, Review, Serbia
The international, regional festival of contemporary theatre Desiré, which takes place in Subotica...
Read MorePosted by Miriama Young | 20th Sep 2022 | Australia, Design, Musical Theatre, Review, Transmedia
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
Read MorePosted by Etcetera | 21st Jan 2022 | Interview, New York, Theatre and Politics, United States of America
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
Read MorePosted by Christy Romer | 23rd May 2021 | Interview, Italy, Transmedia
In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...
Read MorePosted by Armando Rotondi | 14th Nov 2020 | Adaptation, Ireland, Review
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
Read MorePosted by Walter Byongsok Chon | 25th Jun 2020 | Adaptation, Interview, South Korea
The Korean theatre company ETS, which is an acronym for Eye To Soul, staged Charles Mee’s Big Love...
Read MorePosted by Aleks Sierz | 7th Jun 2020 | Applied Theatre, Essay, United Kingdom
In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...
Read MorePosted by Ziming Jim Liu | 9th May 2020 | Interview, Playwriting, United States of America
Anya Richkind is an emerging Brooklyn-based playwright who has taken many different roles in...
Read MorePosted by Ian Kiyingi Muddu | 23rd Apr 2020 | Acting, Interview, Uganda
The name ‘Rashida Namulondo’ will easily roll off any random tongue in the performing arts...
Read MorePosted by Aleks Sierz | 22nd Dec 2019 | London, Review, United Kingdom
Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade....
Read MorePosted by Xunnan Li | 9th Oct 2019 | China, Interview, Theatre and Opera
Interview with Shule Li: A Chinese Director of Pythonland (2016) Shule Li is most recently known...
Read MorePosted by David O'Donnell | 9th May 2019 | New Zealand, News
As New Zealand has lost two of its longest-running professional theatres in the last seven years,...
Read MorePosted by Nan Van Houte | 3rd May 2019 | Essay, Europe, Management, Participatory Theatre
You can also read this article in French here. This series of articles, commissioned together...
Read MorePosted by Aleks Sierz | 23rd Apr 2019 | London, Review, Theatre and Gender, United Kingdom
Caryl Churchill is a phenomenal artist. Not only has she written a huge body of work, but each...
Read MorePosted by Akarsh Khurana | 23rd Apr 2019 | India, Management, News
With growing talent and audiences, Bangalore has easily become the country’s No. 2 theatre hub,...
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Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

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