The Royal Court Market Stall
The Theatre Times interviews Ola Animashawun, Artistic Associate at The Royal Court Theatre and...
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Tag: Exclusive
John Freedman on New Russian Drama
Aleena Karim interviews John Freedman, an acclaimed American critic, translator and playwright, on...
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The Solipsism of Risk
Australian theatre-maker, Olivia Satchell, explores the subjectivity of risk, and how artists...
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Looking Back and Moving Forward with Okello Kelo Sam
TheTheatreTimes correspondent Amelia Parenteau interviews Ugandan writer/performer Okello Kelo Sam...
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Culture Wars in the Russian Theater
As the government continues to censor and cancel Russian theater performances, a group of artists...
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A Pig’s Head at the Moscow Art Theater
On April 1st, 2015, orthodox activists, calling themselves “God’s Will”,...
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50 Years with Ariane Mnouchkine’s Théâtre du Soleil
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Interview with Spanish Scenic Designer Jose Luis Raymond
José Luis Raymond is a multi award-winning Spanish Stage Designer, Director, Plastic Artist, and...
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Where Are the Women in French Theater?
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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The Profound Effect of Russian Plays on Nicola McCartney
This is the second installment in John Freedman’s TheaterPlus video blog, which now appears...
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Comparing New York and Parisian Theatre
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Sasha Dugdale Recalls the Origins of New Drama in Russia
Back when I used to publish a blog called TheaterPlus on the website of The Moscow Times, I would...
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Jeff Burchfield’s “Dream Come True” in Berlin
Theatre and Opera Editor Marcina Zaccaria spoke with actor Jeff Burchfield in 2014, who was...
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Ulrike Syha Interviews Dominique Dolmieu
Ulrike Syha: When was Eurodram, a network for drama in translation, founded? What was the initial...
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Back to the U.S.S.R.
On occasion, rather than buried and hidden somewhere, essences lie right there on the surface,...
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Spectacle and Tradition at the 2014 Lincoln Center Festival
In 2014, Marcina Zaccaria wrote about The Lincoln Center Festival, including productions of...
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Teatr Chorea’s Retro//Per//Spectives Festival: Part 3
After the enormous Oratorium Dance Project, in 2011, no one wanted to stop working with the Łódź...
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Lachlan Philpott on the Flux in Australian Programming
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
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Amanda Macri on the Need for Storytellers: New Playwriting in Australia
Amanda Macri, General Manager at Playwriting Australia, writes about the broad range of resilient...
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Anthea Williams on Belvoir’s Important New Season
Anthea Williams, Associate Director-Literary at the Belvoir Street Theatre in Sydney, writes about...
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